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1-800-369-9598 (USA)
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Any missing issues have sold out, with no more copies available.
If you order ONLY back issues, your shipping costs will be as follows:
USA: Add $2 first issue / $1 each additional issue
CANADA: Add $3 first issue / $1 each additional issue
ALL OTHERS via AIRMAIL: $8 first issue / $4 each additional issue.
Please note that your shopping cart will NOT reflect these shipping rates, but we will make corrections before we charge your card.
Back issues as part of a larger order will be charged regular shipping costs.
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LR19-4. LAR Second Wedding Issue: Vol.19, No.4
Letter Arts Review Volume 19, Issue 4. Wedding Issue.
This special Wedding Issue is full of unique and engaging calligraphy for weddings -- invitations, envelopes, reply cards, reply envelopes, and ketubbah. Includes both traditional and innovative, formal and fun presentations.
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LR19-3. LAR 2005 Annual Issue: Vol.19, No.3
LAR Annual Issue. (Volume 19, No. 3)
The annual best of calligraphy. Generally features
100 or more pieces from 50+ lettering artists from
the USA & up to 13 other countries. Approx half the
work is shown in full color.
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LR19-2. Letter Arts Review: Vol.19, No.2
Letter Arts Review Volume 19 No. 2
Articles include: Georgia Deaver: Her Brush & That Line
Christine Colasurdo; Bartolomeo Sanvito: Part 2 Paul Shaw; The Work of the Sofer Frances Siegel; LAR Gallery; Finding the Form of an Ancient Text Robert Bringhurst; Video Review. Cover Thomas Ingmire
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LR19-1. LAR Black & White Issue: Vol.19, No. 1
Letter Arts Review Black & White Issue, Volume 19, Issue 1.
This special issue includes over 150 works in black and white -- in fact, the whole issue is a celebration of letterforms in black and white. Editor Rose Folsom has chosen lettering art that runs the gamut from stately and classically drawn letters to those freely written, complete with ink splats; from dense, textural pieces to light and airy compositions; varied in their approaches, but all showing a mastery of pen and brush. From approximately 600 entries, Rose chose over 150 superb and varied works from 15 countries. In black & white, all present the essentials of the calligraphic line and word.
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LR18-4. Letter Arts Review: Vol.18, No.4
Letter Arts Review Volume 18 No. 4
Articles include: Sonia Delaunay: Color, Rhythm, Simultaneity Adela Spindler Roatcap; Fude: Brushes Christine Flint Sato; Edward Johnston Foundation Gareth Colgan; LAR Gallery: Three Exhibitions; Ornamental
Signatures Robert Hurford. Cover Ewan Clayton, Janaeck and His Muse
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LR18-3. LAR 2003 Annual: Vol.18, No.3
LAR 2003 Annual Issue. (Volume 18, No. 3)
The annual best of calligraphy. Generally features
100 or more pieces from 50+ lettering artists from
the USA & up to 13 other countries. Approx half the
work is shown in full color.
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LR18-2. Letter Arts Review: Vol.18, No.2
Letter Arts Review Volume 18 No. 2
Articles include: Sacred Words: Ancient Indian Manuscripts
Brinda Gill; The Altar Bible Rose Folsom; LAR Gallery; Lazar El Lissitzky: Unchained Letterform Adela Spindler Roatcap; Bartolomeo Sanvito Paul Shaw; Kate Greenaway: Letters & Illustration in Harmony Frances Spiegel. Cover: Sheila Waters, The Alter Bible.
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LR18-1. Letter Arts Review: Vol.18, No.1
Letter Arts Review Volume 18 No. 1
Articles include: The Making of Sumi Ink Christine Flint Sato; Profile: CC Elian Rose Folsom; In Their Own Words: Yumi Tohyama, Joachim Propfe and Judith Osborne discuss their work; American Penmen Joseph Vitolo. Cover: Joachim Propfe
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LR17-4. LAR Greeting Card Issue: Vol.17, No.4
LAR Greeting Card Issue. (Volume 17, No. 4)
Features a wide selection of calligraphic greeting cards for Christmas, New Year's, and other holidays. Includes printed and handmade cards, personal and commercial designs. 120 examples from 94 artists representing the USA and 12 other countries. Approximately half are reproduced in full color.
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LR17-3. LAR Annual 2002 Issue: Vol.17, No.3
LAR Annual Issue. (Volume 17, No. 3)
The annual best of calligraphy. Generally features
100 or more pieces from 50+ lettering artists from
the USA & up to 13 other countries. Approx half the
work is shown in full color.
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