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All Back Issues

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Any missing issues have sold out, with no more copies available.

If you order ONLY back issues, your shipping costs will be as follows:
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ALL OTHERS via ISAL: $5 first issue / $4 each additional issue.
Please note that your shopping cart will NOT reflect these shipping rates, but we will make corrections before we charge your card.
Back issues as part of a larger order will be charged regular shipping costs.


LR18-4. Letter Arts Review: Vol.18, No.4

Letter Arts Review Volume 18 No. 4

Sonia Delaunay: Color, Rhythm, Simultaneity
  by Adela Spindler Roatcap
Fude: Brushes
  by Christine Flint Sato
Edward Johnston Foundation
  by Gareth Colgan
LAR Gallery: Three Exhibitions
Ornamental Signatures
  by Robert Hurford
Cover Artist: Ewan Clayton

Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

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LR18-3. LAR 2003 Annual: Vol.18, No.3

LAR 2003 Annual Issue. (Volume 18, No. 3)

The annual best of calligraphy. Generally features
100 or more pieces from 50+ lettering artists from
the USA & up to 13 other countries. Approx half the
work is shown in full color.

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LR18-2. Letter Arts Review: Vol.18, No.2

Letter Arts Review Volume 18 No. 2

Sacred Words: Ancient Indian Manuscripts
  by Brinda Gill
The Altar Bible
  by Rose Folsom
LAR Gallery: Books
Lazar El Lissitzky: Unchained Letterform
  by Adela Spindler Roatcap
Bartolomeo Sanvito
  by Paul Shaw
Kate Greenaway: Letters & Illustration in Harmony
  by Frances Spiegel
Cover Artist: Sheila Waters

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LR18-1. Letter Arts Review: Vol.18, No.1

Letter Arts Review Volume 18 No. 1

Sumi
  by Christine Flint Sato
Profile: CC Elian
  by Rose Folsom
The Dual Letter
  by Yumi Tohyama
Thoughts on Calligraphy
  by Joachim Propfe
The Doors to Greater Expression
  by Judith Osborne
American Master Penmen
  by Joseph Vitolo
Cover Artist: Joachim Propfe

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LR17-4. LAR Greeting Card Issue: Vol.17, No.4

LAR Greeting Card Issue. (Volume 17, No. 4)

Features a wide selection of calligraphic greeting cards for Christmas, New Year's, and other holidays. Includes printed and handmade cards, personal and commercial designs. 120 examples from 94 artists representing the USA and 12 other countries. Approximately half are reproduced in full color.

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LR17-3. LAR Annual 2002 Issue: Vol.17, No.3

LAR Annual Issue. (Volume 17, No. 3)

The annual best of calligraphy. Generally features
100 or more pieces from 50+ lettering artists from
the USA & up to 13 other countries. Approx half the
work is shown in full color.

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LR17-2. Letter Arts Review: Vol.17, No.2

Letter Arts Review Volume 17 No. 2

What is Our Guiding Idea? Part 3: The Visual, The Verbal, the Rainforest
  by Steven Skaggs
William Morris: The Art of Printed Letterforms
  by Adela Spindler Roatcap
Taking Time, Turning the Page: Nancy Leavitt
  by Donna Gold
Profile: Lieve Cornil
  by Ewan Clayton
Writing, Argument & Contemplation: Izzy Pludwinski
  by Christopher Calderhead
Hans Tisdall
  by Michael Harvey
Cover Artists: Lieve Cornil & Betina Miemietz

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LR17-1. Letter Arts Review: Vol.17, No.1

Letter Arts Review Volume 17 No. 1

What is Our Guiding Idea? Part 2: Essence
  by Steven Skaggs
The Critic’s Eye
  by Rose Folsom
The McRosie Book
  by Mark McIntyre & Rosie Kelly
Profile: Glen Epstein
  by Anne Binder
Midwinter Reflections
  by Maureen M. Squires
Profile: Achyut Palav
  by Brinda Gill
Cover Artist: Joan Coates

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LR16-4. Letter Arts Review: Vol.16, No.4

Letter Arts Review Volume 16 No. 4

What is our Guiding Idea? Part One: Questions
  by Steven Skaggs
The Eadwine Psalter: A Masterpiece of 12th-Century Design
  by Stan Knight
Standing Stones
  by Richard Kindersley
The Graceful Envelope
  by Jordenne Ferrington
LAR Gallery
Book Review: Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Cover Artist: Richard Kindersley

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LR16-3. Enigma Issue LAR Vol.16, No.3

LAR Annual Issue. (Volume 16, No. 3)

The annual best of calligraphy. Generally features
100 or more pieces from 50+ lettering artists from
the USA & up to 13 other countries. Approx half the
work is shown in full color.

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