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Prints

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A Giclée (pronounced ZHEE-clay) is an art print. Through imaging and print technology, up to 500 shades of dense water-base ink are used to produce beautifully smooth, dotfree tones. The print is lush, vibrant and velvety-looking, one that has the feel of a watercolor and surprising clarity. These prints are 90% of the original size. St John's Bible Prints are shipped separately from other items and have their own shipping/insurance fee. USA: $20.00 shipping/insurance for up to three prints. Your shopping cart total will not reflect the additional shipping charges, but they will be added before charging your card.

SJ10. Birth of Christ Print
Birth of Christ.
15"x22". Giclée Print.

Donald Jackson’s illumination of the Birth of Christ for the opening of the Gospel of Luke.



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SJ01. Messianic Predictions
Messianic Predictions
Isaiah 7, 9, 11. Artist: Thomas Ingmire. 15"x22". Giclée
print.

Distinctively Thomas Ingmire with explosive energy, color and radiating gold. Familiar gilded phrases burst out of the
foundation text: Prince of Peace, King of Kings, Everlasting Peace, Immanuel God is With Us, For Unto Us a Child is
Born,Halleluiah! - all prophesizing the coming of the savior. Handel used Isaiah 9:6-7 for one of the great choral sections of the Messiah.



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SJ09. Creation Print
Creation
15"x22". Giclée Print.

Donald Jackson with contributions from Chris Tomlin. This opening illumination of the Book of Genesis presents the steps in the creation of the universe starting with chaos on the left. Gold is used to symbolize God’s intervention ordering of the universe and its elements.



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SJ07. Genealogy of Jesus Print
Genealogy of Jesus Print.
Artist: Donald Jackson. 15"x22". Giclée Print.

This illumination represents the genealogy of Jesus as told in Matthew. Jesus’ family tree is depicted as a menorah, intertwined with spirals suggestive of DNA strands. The names are written in Hebrew and English. This was the first illumination that Donald did for the St Johns Bible.



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SJ06. Opening of Gospel of Matthew Spread
Opening of the Gospel of Matthew
Matthew 1:1-17. Artist Donald Jackson 30"x23". Giclée Print.

This illumination represents the genealogy of Jesus as told in Matthew. Jesus’ family tree is depicted as a menorah, intertwined with spirals suggestive of DNA strands. The names are written in Hebrew and English. This was the first illumination that Donald did for the St Johns Bible.



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SJ11. Opening of Gospel of Luke
Opening of the Gospel of Luke
Luke 1:1-45. 30"x23". Giclée Print.

Donald Jackson’s illumination of the Birth of Christ with the opening of the Gospel of Luke.



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SJ08. Opening of Genesis Spread
Opening of Genesis
Genesis 1:1-25. 30"x23".

Donald Jackson with contributions from Chris Tomlin. This opening illumination of the Book of Genesis presents the steps in the creation of the universe starting with chaos on the left. Gold is used to symbolize God’s intervention ordering of the universe and its elements.



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SJ04. Opening of Psalms Spread Print
Opening of Psalms
25"x38". Giclée Print. Donald Jackson, artist; Brian Simpson, scribe.

Using digital voice prints as elements, Donald Jackson’s illumination hints at the ways in which we might "see" Psalms if they are sung or read poetically. He used voice prints of recordings of Saint John’s monks singing Gregorian Chant and prints of other sacred song. Many traditions praise God through sacred song.



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SJ05. Psalms One Print
Psalm One
Psalms 1:1-6. Donald Jackson, artist; Brian Simpson, scribe. 10"x20". Giclée Print.

Using digital voice prints as elements, Donald Jackson’s illumination hints at the ways in which we might "see" Psalms if they are sung or read poetically. He used voice prints of recordings of Saint John’s monks singing Gregorian Chant and prints of other sacred song. Many traditions praise God through sacred song.



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SJ03. Ten Commandments Print
Ten Commandments
Exodus 19. Artist: Thomas Ingmire. 15"x 22". Giclée print.

"I wanted to show the power and promise of the
Commandments, showing them forming out of a beautiful
chaos. To reinforce the sense of abstraction, power and promise, I wanted the letters to be in the Latin alphabet and with use of typography." -Thomas Ingmire.



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