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1-800-369-9598 (USA)
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CL2309. Jean Formo Wall Calendar
The Living Word 2009 Wall Calendar. 12x8-7/8. Spiral
Jean Formo has provided 12 colorful calligraphic compositions for this religious wall calendar. The brief texts are taken from the letters of St Peter.
Jean has produced the wall calendar this year instead of an engagement calendar. For her engagement calendar for 2007 and 2008 see CL2307, CL2308 ($3.99) as long as stock lasts. There is no Jean Formo engagement calendar for 2009.
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CL2109. Proverbial Cat Calendar 2009
The Proverbial Cat Wall Calendar 2009. 12"x12".
Sydney Hauser's cats and calligraphy illustrate for us a collection of maxims, proverbs and adages. Charming!
Sydney also has a gift book and boxed cards.
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CL2109-M. Mini Proverbial Cat 2009 Calendar
The Proverbial Cat Mini Calendar 2009. 7"x7".
Sydney Hauser's cats and calligraphy illustrate for us a collection of maxims, proverbs and adages. Charming... in a very miniature way, of course. A fine small gift. Sydney also has a gift book and boxed cards.
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CL2800. Daily Portraits of the Word
A Calendar of Verses from the Bible for Every Day of the Year. Tim Botts. 2007.
This desk top easel calendar presents twenty years of Tim’s work. A full 366 of his vivid, full-color, calligraphic expressions of biblical texts, one for each day of the year. Because it has only the month and day, it’s a perpetual calendar and you get to be inspired anew each January one!. A wonderful gift.
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CL2709. Lindisfarne Gospel 2009 Wall Calendar
Lindisfarne Gospel 2009 Wall Calendar. 12x13. $13.99.
The Lindisfarne Gospels is one of the great masterpieces of early medieval book illumination. Produced in the early 8th century at Lindesfarne, an island monastic community near the coast of Northumberland (NE coast of what is today England). 12 richly colorful pages from this magnificient manuscript are reproduced including ones with incredible knotwork designs.
NOTE: These have a slightly bumped corner.
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C63. Lindisfarne Note Cards
Lindisfarne Note Cards. $14.95
Box of 20 cards & envelopes. Five each of four of the intricate full page illuminations from the manuscript. Cards are 4.75"x6.75".
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LR22-3. LAR Annual Issue Vol. 22, No. 3
Letter Arts Review 22.3
The Annual Issue.
On page 16 of the John Neal, Bookseller print catalog, the piece shown from LAR 22.3 attributed to "Hanc" was done by Linda Hancock.
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B3024. Altered Surfaces/Cozen
B3024. Altered Surfaces: Using Acrylic Paints with Gels, Mediums, Grounds, & Pastes for Paper Canvas, Board and Plastic by Chris Cozen. Paper.
Provides info on the great range of possibilities with acrylics and their use with mediums and grounds. Includes working with some of the newest products available, especially those from Golden Artist Colors. This slim volume has enough of the basics for the beginner and is packed with info for those experienced with acrylics. "The best book on the subject."-- Nan Robkin
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B3044. Art Expose/Judy Melvin
Art Expose: A Collection of Techniques for Creative Expression by Judy Melvin. 2008. 20pp. 8.25"x8.25". Paper.
Judy has put her workshop notes into book form. It's a book of how to make beautiful artwork using the techniques for creative expression that she teaches. Full color. Includes:
Sumi Ink & Sink Art, Sumi Ink & TECH Ink, Gesso, Pastels & Stencils, Bleach & Pastels and Walnut Ink.
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B2054. Arteffects / Green
Arteffects. By Jean Green. 1993. 208pp. 8.25"x11". Paper.
A visual sampler, including step-by-step demonstrations, for experimenting with inks, watercolor, acrylics, oils, pastels, and unusual materials to achieve hundreds of different effects to use in your paintings. ArtEffects is divided into five sections that cover the most-used painting mediums: inks, watercolor, acrylics, oils, and pastels. Each section begins with a general discussion of the specific medium's unique properties, physical makeup, and methods of application, followed by a list of various materials that can be used in combination with the medium. This is followed by a display of examples (some with step-by-step demonstration) of the almost limitless textures and effects you can achieve by combining one medium with another, or with the myriad papers and art-related products on the market today, as well as with household and other unexpected materials such as cornstarch, string, and plastic wrap. Here, you can easily find out how a specific medium will perform in combination with, for example, sand, gold gouache, or acrylic modeling paste, and how that medium can be used in airbrush, stenciling, and monoprinting techniques.
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© John Neal Bookseller · 1833 Spring Garden Street · Greensboro · NC 27403 · USA
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