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Suzanne Moore

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Elucidare; Balancing Lettering & Imagination
Multiplicity; Creating Original Art in Multiples
Books and other media for both classes

B1772. Free Play: Improvisation in Life and Art by Stephen Nachmanovitch. $12.95
B3183. Design Language by Tim McCreight. 191 pp. Hardcover. $11.95*
This compact volume presents 100 keywords with background etymology and commentary. Helps you learn design, by giving you the vocabulary to explore style, form and composition.
*Suzanne recommends the hardcover edition (above) of this book. A full color picture book edition is also available.
B2346. Design Language: Interpretive Edition by Tim McCreight. 136 pp. 8.5"x8.5". Paper. $22.50
Takes 60 words commonly used to discuss the design of objects such as decorative, density, design, dialogue, dominance & dynamic. Provides definitions in three forms: brief design dictionary one, expanded comments, and striking visual examples of fine craft/folk craft that illuminate the term. It is a beautiful and useful book.

Supplies for both classes

Pens: Penholders and nibs (various types and sizes).
Tools: Selection of diverse mark making/ writing tools (brushes, balsa wood, ruling pen, sticks, anything you can dip in ink); pencil (3H or 4H); hand pencil sharpener; triangle (metal if you have one; 8" minimum on one side); rulers (18" min): one see-through, red grid, and if you have one an aluminum ruler with a recessed non-skid backing (mm's rock); brushes (5-6 inexpensive mixing; several sizes pointed and flat for gouache).
Ink/Paint: Jet Black gouache.
Paper: 2-3 sheets white or cream text-weight; several pages large layout paper; text and layout paper; (Arches text wove plus others provided).
Misc..: White eraser; palette (deep wells); water jar; 2 pipettes; Scotch tape; glue stick; 8" bone folder; small break-off knife; scissors; X-acto knife and blades; 18x24" cutting surface (mat board OK); some of your own writing, painting, photos, images to cut/crop; typed version of your quote text, in various sizes (simple: Roman or sans serif); pre-class assignment.
Optional: Gouache (variety including gold); acrylic inks; fine awl, stylus or T-pin; aluminum ruler w/recessednon-skid backing (mm's rock). Instructor will provide some to use.
Materials Fee: $8— 12


S271. Metal Ruler: 18in
Stainless Steel Ruler. S271.

18" Flexible, cork back. Marked in 1/16" and millimeters. An essential tool for calligraphers and bookbinders.

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S407. Mixing Brushes

SOLD OUT

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BR01. W&N 995 Chisel Lettering Brush
Chisel Edged Lettering Brush

The standard brush recommended by John Stevens, Carl Rohrs and other instructors for chisel-edged alphabets. Golden nylon flat watercolor brush with seamless nickel ferrules and clear plastic handle. Durable and responsive.
Winsor and Newton Series 995 flat water color brush.

Choose from three sizes:

½" List $17.55
¾" List $25.35
1" List $35.95

Change size selector to see sale prices.


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BR24. Raphael Kaerell Flat Brush
These brushes can be used for chisel edged brush writing and watercolor painting. Carl Rohrs finds these water media brushes to be good for lettering. He recommends the W&N 995 (BR01) for ½" & larger. Synthetic bristles.


Brush Sizes:
1/8" size 02 -- List $11.15
3/16" size 04 -- List $12.25
1/4" size 06 -- List $13.50
5/16" size 08 -- List $15.10
3/8" size 10 -- List $16.00
1/2" size 12 -- List $17.75
5/8" size 14 -- List $19.50


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Your Price $11.15 Increase Quantity Decrease Quantity

BR26. W&N Sceptre Gold 101 Brush
W&N Sceptre Gold 101 Brush, Round, Short Handle

For fine detail, lines & washes. A traditional and popular head shape for all-purpose water color work. Can be used for broad strokes yet it will also form a sharp point. They possess excellent color holding capacity, sensitivity, spring and durability.

High quality brushes made from a mix of sable and synthetic fibres. They are ideal for water color and suitable for use with acrylic. For watercolor media, while today's synthetic brushes perform excellently, pure sable still has the edge. With a blend you can get performance that is close to sable at a price that is close to synthetic. The blend of hair in Sceptre Gold II also gives you added benefits. Sable hair has excellent spring while the high quality synthetic filaments ensure that the brushes are soft enough to work the color but also have a strong snap so they return back to their original shape with ease. The high proportion of sable in Sceptre Gold II gives the brushes considerably more ability to make larger washes in one stroke than normal synthetic brushes, and the hairs are tapered to a fine point, giving the brush control for detailed work.

Winsor and Newton Sceptre Gold 101 Brush Round Short Handle

#0000. $6.70. JNB $5.03
#000. $6.70. JNB $5.03
#00. $6.70. JNB $5.03
#0. $6.95. JNB $5.21
#1. $7.60. JNB $5.70
#2. $7.95. JNB $5.96
#3. $9.20. JNB $6.90
#4. $10.10. JNB $7.58
#5. $11.15. JNB $8.36
#6. $13.55. JNB $10.16
#8. $14.25. JNB $10.69
#10. $20.15. JNB $15.11
#12. $25.15. JNB $18.86


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BR30. Cotman Round WC Brush
Cotman Round Water Color Brush.

Synthetic brush that is slightly stiffer than sable. Recommended by Lisa Engelbrecht; she especially likes the #8. The secret of the Cotman Bushes, from Winsor & Newton, lies in the fibers. By blending fibers of differing thickness, we achieve the three most important qualities sought by the artist. The thicker fibers contribute strength and spring, while the thinner fibers improve color carrying capacity (which have recently been improved by 50%). The two fibers together retain their point, time after time.

Specify size.

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WNG335. W&N Gouache: Jet Black
Winsor & Newton Gouache: Jet Black


Winsor Newton Gouache Color Chart

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PS04. Frankfurt Paper 19x25
Frankfurt
19"x25". pH neutral. Choose White, Cream.

A mixture of cotton and high alpha cellulose. Sheets have three deckle edges and one cut edge. High alpha cellulose A very pure form of wood pulp which is considered to have the same longevity as cotton or other plant fibers.

This beautiful wavy laid paper is a favorite of Jean Formo. She uses it in her walnut ink classes. I find it easy to erase. Some inks allow correction with a white plastic eraser!

This paper ships separately from books/supplies and requires extra shipping fees which WILL NOT be displayed during checkout. We will adjust your shipping costs before we charge your card .(click to read details)


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Your Price $3.84 Increase Quantity Decrease Quantity

PS84. New Diploma Parchment
New Diploma Parchment. Machine-made in the US, 100% cotton fiber, warm off-white (beige), pH neutral. Smooth wove finish. 177gsm. Specify size: 17"x22" or 34"x22".
17x22 Price Break at 10 or more sheets.

This bestselling archival sheet is now even better. Easy to write on and a little thicker than most text weight papers, it is great for certificates and one-off pieces. A paper you will use again & again. Give it a try. The New Diploma Parchment is a warm beige (off-white) and recommended by Vivian Mungall. The old Diploma Parchment was a yellowish cream.

"This paper is beautiful. When I first put my pen on this paper I was amazed at how lovely it is, much better than the old Diploma Parchment. I create many corporate documents (resolutions), and I like how the paper gilds and takes paint. We print logos with our Epson 3800 (a small professional printer) and the paper takes the ink beautifully. There is no feathering or bleeding. It is the same with the ink from my pen. The new Diploma Parchment has been great. I recommend it. It is a nice weight and is also fine for handmade books." - Rosemary Buczek.


This paper ships separately from books/supplies and requires extra shipping fees which WILL NOT be displayed during checkout. We will adjust your shipping costs before we charge your card .(click to read details)

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P20-50. JNB 11x17 Practice Pad 50 Sheets
JNB Practice Pad
11"x17". Approximately 50 sheets.

Smooth surface white sheet, but guidelines will show through. Good for classes and practice (20 lb bond). (If you are taking the SF Academy of Arts or Ann Miller’s class, you need to order the P21 JNB Graph Pad, NOT this plain pad.)

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