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Elizabeth Walsh


Elizabeth Walsh
Oh, My Achin' Bones Session One (1EW1)
Intermediate
Begin the journey of pen manipulation, playful shapes and creative interlinear spacing in learning "Humanist Bookhand with a twist" or "Bone" a contemporary script developed by Jaki Svaren in 1972, so called because of its bonelike vertical shapes. Large writing tool (ie: #4 or #5 Automatic or 6.0 Parallel pen), 11 x 17 practice paper, ink of choice, ruler, pencil. ($1.00).
Neuland, Variations for Snail Mail Sessions Two (2EW2)and Three (3EW3)
All Levels
Bring what you have, instructor will share many supplies. You will need 11" x 17" practice pad (P21), colored pencils, ruler(S270), ink, X-acto knife (S417) and cut mat(S504), favorite large writing tool (ie: #4 or #5 Automatic(N27) or 6.0 or 3.8 Parallel pen FP67-3.8, 6.0)). ($1.00)

Elizabeth Walsh: Bone I, Neuland II,III.
For Bone
Jacqueline Svaren's "Written Letters",
Bone Alphabet in Bound & Lettered, BL4.2. Bound & Lettered 4.2. $8.50
For Neuland
For Neuland inspiration, see Jean Wilson's envelopes in Bound & Lettered Vol.2 No.4 (p.38) and Bound & Lettered Vol.5 No.2 (p.6). $8.50 each.



P21. JNB Graph Pad 11x17, 50 Sheets
JNB Graph Pad
Light blue grid (8 squares/inch). 28 lb bond. 11"x17". Approx 50 sheets.

A non-bleeding paper that is great for calligraphy. (We use the same paper in our JNB Practice Pads.) Many instructors have their students use this pad in their classes. (It is the pad required by Claude Dieterich for his Academy of Art classes, and also by Ann Miller for her online class.) (For graph with slant lines P01.)

Please choose color: Light or Dark.

Light: This grid does not show on many copiers, shows faintly on others, and usually disappears when you adjust the exposure one setting lighter. If you use a copier to produce your finished art for reproduction, this is the pad for you. This pad is good for jobs done at quick printers.

Dark: For classes, some students may appreciate a slightly darker grid. This is particularly true for adult classes. This is still a light blue grid. Some teachers have commented that their students found the original pad's grid was too light.

6/7.50 each. 12/7.25 each. 24/6.95 each.

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S270. Metal Ruler:12in
Stainless Steel Ruler
12"

Flexible, cork back.

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S417. Excel Deluxe Knife (NonSlip)
Excel Deluxe Knife

It's time to upgrade. This American-made knife has a soft handle, a no-roll feature, much sharper blades and best of all it's PURPLE (or Black, Green, Blue, Grey, Red). It's no more expensive than X-acto's basic knife!!! Safety Cap, #11 Blade.

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S504. 9x12 Self Heal Cutting Mat
9x12 Self Heal Cutting Mat.
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N27. Automatic Pen
Sizes: 1 (1/16"), 2 (1/8"), 3 (3/16"), 3A (1/4"), 4 (5/16"), 5 (1/2"), 6 (3/4"), 6A (1").

These poster pens are made of a non-rust nickel silver with a plastic handle. They produce very thin thins. Use them with the tooth blade uppermost. Clean with warm water after use. A new pen should be filled and worked gently on paper
until the color (ink) flows. Any possible sign of scratching will soon wear off with use.

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BL4.2. Bound & Lettered 4.2
Bound & Lettered Vol.4 No.2

Japanese Bookbinding
  by Graeme Dawes
Leslie Tardy: Calligrapher
Paper Treasures
  by Penny White & Laura Drager
Bone Alphabet
  by Jacqueline Svaren
Triangle Card
  by Michael Jacobs
Profile: Richard Minsky
Make a Pop-Up Box
  by Carol Barton
Calligraphy Acrostics
  by Barbara Jones

Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

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TAB2.4. Tabellae Ansatae 2.4
Tabellae Ansatae Vol.2 No.4

Portable Museum
  by Barbara Harman
Scrap Hoarders Accordion Book
  by Donna Ratigan
On Being a Book Artist
  by Edward Hutchins
Why I Live at the Post Office
  by Jean Wilson
Woven Bridges Book
  by Dorothy Swendeman & Peggy Marrs
Subtle Colors in the Night
  by Sherrie Lovler
Writing on Walls
  by Jenny Hunter Groat, Margaret Lammerts, Jean Wilson, & Gemma Black

Jean Wilson's Envelopes
See color versions of the envelopes Jean Wilson sent to John Neal published in Bound & Lettered Vol.5 No.3.
Other examples of Jean Wilson's envelopes can be seen in Tabellae Ansatae Vol.2 No.4 and Bound & Lettered Vol.5 No.2.

Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

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BL5.2. Bound & Lettered 5.2
Bound & Lettered Vol.5 No.2

Concertina Ornaments
  by Debra Glanz
Flag Books
  by Diana Trout
Cardiology
  by Jean Wilson
Using Ruling Pens
  by Glen Epstein, Jim Chin & Kate McKulla
The Manuel Neri/Pablo Neruda Book Project
Wire Bound
  by Toni Kelly
Envelope Art: Part One
  by Rebecka Fair
Friendship Book
  by Margaret Beech
The Printmaker’s Baren
  by Dave Bull

Jean Wilson's Envelopes
See color versions of the envelopes Jean Wilson sent to John Neal published in Bound & Lettered Vol.5 No.3.
Other examples of Jean Wilson's envelopes can be seen in Tabellae Ansatae Vol.2 No.4 and Bound & Lettered Vol.5 No.2.

Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

Your Price Increase Quantity Decrease Quantity

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