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Odyssey Conference Class Listing
C12 THE SPONTANEOUS MARK AND ALTERNATIVE IMAGE WORKSHOP
B3041. Mixed Emulsions: Altered Art Techniques for Photographic Imagery by Angela Cartwright.
B2783. The Calligraphic Line by Hans-Joachim-Burgert.
B1772. Free Play by Stephen Nachmanovitch.
B3042. Making Memory Books by Hand: Memories to Keep and Share by Kristina Feliciano.
B3043. Making Journals by Hand: 20 Creative Projects for Keeping Your Thoughts by Jason Thompson.
Symbols Signs Letters: About Handwriting/Experimenting With Altphabets and the interpretation of Texts by Martin Andersch. Out of print.
Schrift Kang Bild: The Music of Lettering by Gottfried Pott. Out of print.
Creating Artists' Books (Printmaking Handbooks) by Sarah Bodman.
Fifty Years of Works on Paper by Cy Twombly. Not stocked.
B2669. More Making Books by Hand: Exploring Miniature Books, Alternative Structures, and Found Objects by Peter Thomas and Donna Thomas.
B2910. The Decorated Journal: Creating Beautifully Expressive Journal Pages By Gwen Diehn.
Fingerpainting on the Moon: Writing and Creativity as a Path to Freedom by Peter Levitt. Out of print.
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Images for use in transfers: In your final com¬position we will be combining text and image, therefore when selecting images to bring please consider the following: images may include line drawings, collage, photos both black and white and/or color with interesting contrast but not too dark. These images will be copied and transferred so the original will not be harmed. It's probably best not to think too hard about all this, grab what you love, the rest will follow. It's often the serendipitous surprises that are the most fun.
Text: For the text consider the follow¬ing: a handwritten letter, notes from a journal, a poem or quote printed in various fonts and sizes, or perhaps pages from an old or new book, maps and other ephemera, again to be copied and transferred. Also look for text that could be considered texture.
Homework: Think of and write down a word that has some sig¬nificance to you. One word – write it down and bring it. Also bring at least three images that "speak to" the idea of rhythm or negative space – that you love – photos, Xeroxes, or simply something from a magazine or newspaper. We won't be writing on them or destroying them (unless you feel so inclined.)
Supplies: Sumi ink (I70); X-acto knife (S621, S662); bone folder (S279, S308) – if you have one already, otherwise a burnisher (S701) or spoon (S661); PVA (S340) or glue stick (S391); favorite and funky writing tools; pads of layout paper 14x17 or 19x24, your preference.
Optional: Your usual workshop stuff – (optional) pencils, watercolors, colored inks, pens, ink, tape, ruler, kitchen sink! Black roller ball pen that you like to write with and paper or book for journaling. Ream of multi-use paper, you know, computer paper. (If you're traveling by air, Odyssey will have some for purchase.)
Materials fee: $25
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ODYSSEY. Odyssey Conference Pre-Order: Free Shipping
Odyssey Conference Pre-Order: Free Shipping
All pre-orders for the Odyssey Conference receive 10% discount.
Pre-order for pick-up at the Odyssey Conference and pay $0.00 shipping.
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B3041. Mixed Emulsions/Cartwright
Mixed Emulsions: Altered Art Techniques for Photographic Imagery. By Angela Cartwright. 2007. 143pp. 8.5"x11". Paper
Shows the many ways that photographic imagery can be manipulated, not electronically, but using various art materials and techniques. The chapters explore ways to add color (paints, oil sticks, watercolors, inks), ways to add texture (embossing powders, gessos, pastes, wax), and special effects (printing on unusual substrates, imprinting, photo mosaics, using tissue, fabric, cardboard). A great technique book for artists looking to expand the creative possibilities for altered photography.
Mixed Emulsions is a follow up to Karen Michel's, The Complete Guide to Altered Imagery (B2774). Mixed Emulsions takes a slightly different tact, bringing traditional and digital photography front and center.
Recommended by Charles Pearce for his Twiddling The Pen to The Best Effect class at Letters Mingles Souls.
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B2783. Calligraphic Line/Burgert
The Calligraphic Line: Thoughts on the Art of Writing
By Hans-Jochaim Burgert. 2nd edition. Translated by Brody Neuenschwander. (1989) 2002. Approx 177pp. 8.5"x11". Paper Spiral. Available Now.
Presents his perspective on the role of form and function in calligraphy and writing, the history of the graphic form (symbol/writing/calligraphy), the need and development of cursive writing and alphabets. The second section presents Burgert’s thoughts, the place of calligraphy in the Western world after the invention of printing from type and its relationship to type. Note that this is a photocopy production. The quality of the illustrations vary, but all are photocopies.
If pg.60 of your copy if blank, see a pdf of the illustrations.
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B1772. Free Play / Nachmanovitch
Free Play: Improvisation in Life and Art
By Stephen Nachmanovitch. Paper
A book on the creative process recommended by many calligraphy instructors.
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B2669. More Making Books by Hand
More Making Books by Hand: Exploring Miniature Books, Alternative Structures, and Found Objects.
Written and illustrated by Peter and Donna Thomas. 2004.144pp. 9.5"x9.5". Paper.
The first 50 pages are a primer on bookmaking. The rest of the book covers step-by-step instructions and illustrations on 12 book structures invented and perfected by the authors. Over 100 full-color photos of the projects and variations.
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B2910. Decorated Journal (Paperback)/Diehn
The Decorated Journal: Creating Beautifully Expressive Journal Pages
By Gwen Diehn. 2005. 128pp. 8.5" x 10". Paper
(Hardcover edition: B2734)
This follow up to The Decorated Page, presents more of the same and that's a good thing! More great photos, ideas, and examples. Build layered pages, use transparency, and more. Includes sections on making journals and customizing store bought journals.
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I70. Moon Palace Sumi Ink
Moon Palace Sumi
The Ink is now in a bottle with a Gold Label
While the packaging is a bit different , this is the highly sought after and highly recommended Japanese Sumi Ink. For both broad edge and pointed pen work. Dries waterproof. A great calligraphy ink.
"I like Moon Palace better, but both Moon Palace and Best Bottle are beautiful inks. The Moon Palace has a slight sheen to it, which I like. Michael suggested this ink to me so please tell him I said "thank you". I just finished a job of 200 invitations with Moon Palace and the ink is beautiful. I did not dilute the ink.
A client just brought me invitations (slick paper) to address. This bride knew going in to this that I probably couldn't do pointed pen. However, for fun, I tried the Sumi inks and to my surprise they worked pretty darn good. I usually have to use a sharpie on slick envelopes, yikes!!!"
--Clair F., Jan 2011.
Three sizes:
6.0 oz (180ml) $12.95
15oz (450ml) $19.95
60 oz bulk bottle.(1.8L)..only $75.00.
You save $54.50. 10 six ounce bottles cost $129.95
Great for teachers, or buy and share the cost with a friend or two or three.
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S621. Snap Blade Knife
Snap Blade Knife
This knife has a snap off blade that allows quick replacement of the sharp edge. The blade is scored, so that when the cutting point of the blade dulls, it is easy to use the tool that stores in the handle to break off the dulled piece. Then you have a fresh point for precise cutting. Often called for in bookbinding workshop supply lists. (Also called a break-off knife.)
Extra Blades S622.
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S662. Retractable Craft Knife
Retractable Craft Knife. This is essentially a slim pen body with a small #11 blade which you retract after you are finished cutting. It’s a safe way to travel with an "X-acto" knife.
For those of us into tools, it’s also "totally cool." Executive Retractable Knife. LIST PRICE $14.45.
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S279. Mini Bone Folder
Mini Bone Folder
4-3/8". Retail Price $4.50.
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