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Carl Rohrs

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ABC 2010 Teacher List

Recommended Books (as resources, not specifically for Carl's classes at ABC 2010)
B2383. Rudolf Koch by Gerald Cinamon
B1666. Calligraphic Bookplates and Monograms by Villu Toots
B2767. Helmut Salden
B1000. Schriftkunst/Letter Art by Karlgeorg Hoeffer
LR13.3. Letter Arts Review Issue 13.3 has an well illustrated article on Koch
B2878. Scriptsit 19.2 for the work by Herman Killian
B2714. Classic Book Jackets: The Design Legacy of George Salter by Milton Glaser and Thomas
Ray Daboll: Disciplined Freedom Poster

CR1 MODERN FLAT BRUSH TECHNIQUES & UNCIAL UPDATE


__ Flat Brush - ½" W/N Series 995 flat brush or similar (clear handle, gold bristles). (BR01)
__ It wouldn't hurt to have your favorite pens and pointed brushes with you, as well. My favorite flat pens are ¼", 5/16" or ?" Horizon; Coit, Hiro or similar are okay; Automatic is too sharp for me, but will work with a light touch.
__ Paper - Large paper (11" x 17" or larger) with a bit of tooth (I like STRATHMORE Charcoal Pads (P51) for pen, flat brush AND pointed brush, but NOT CANSON'S charcoal pads: pen work [only] will bleed, plus any fancier papers you might want to work on - Canson Ingres or Mi Tientes, Bugra, watercolor, etc. (PS05, PS61, PS21-WHT)
__ Non-waterproof Ink – Higgins Eternal (I08)or Higgins Sepia (I97), or Walnut Ink (I53-2.5), etc.
__ A tube or two of gouache (W/N Indigo and Prussian Blue has excellent texture and power. All colors are not created equal!) (WNG538, WNG332). Pro White (I62) or Dr. Martin's Bleedproof White (I38) and/or tube of light or bright gouache and black or colored paper if you wish to write in reverse.
__ Pencil &/or colored pencils (S142, S521)
__ Ruler (S263)

CR2 BRUSH & STILETTO: Pointed Brush Techniques and Cut Paper Lettering


__ Pointed Brush - Pentel Color Brush (FP57) or similar; plus any pointed brushes you like to use: Lebenzon, Series 7, Chinese, etc. It wouldn't hurt to have your favorite pens and flat brushes with you, as well.
__ Paper - Large paper with a bit of tooth (I like STRATHMORE Charcoal Pads for pen, flat brush AND pointed brush, but NOT CANSON'S charcoal pads: pen work [only] will bleed}, plus any fancier papers you might want to work on -- Canson Ingres or Mi Tientes, Bugra, watercolor, etc.)
__ Non-waterproof Ink – Higgins Eternal (I08) or Higgins Sepia (I97) or Walnut Ink (I53-2.5), etc.
__ A tube or two of gouache
__ Pencil &/or colored pencils (S142, S521)
__ Ruler (S263)
__ Pro White or Dr. Martin's (I62, I38) and/or tube of light or bright gouache and black or colored paper if you wish to write in reverse.
For the cut paper part of the class you will need:
__ Xacto knife and plenty of #11 blades (S417, S130)
__ A self-healing cutting matt-the bigger the better, but a 9" x 12" really is just fine (S504-LG)
__ Paper to cut: most cut paper art is traditionally done on black paper, so I'd load up on that if I were you, something in the Canson Mi-tientes neighborhood, but any color is going to work. As much as I would prefer to advise you to travel lightly, it will give you more options for creativity to have a nice selection of paper with you. Marbled and patterned papers could come into use as well (your cut-out letters will need something interesting to sit on top of -- see sample 'Calligraphy' with class description. Can also use photos or color copies of photos, too). The slide show on the first morning will give you more ideas of the options, and maybe you will be able to raid your store of paper or a store's store of paper for a project on the following day.
There will be an optional special project, a cut-paper prismatic letter, that you may want to try. For this you will need 6 or 7 sheets of 8½" x 11" paper, that range in color from white or very bright to dark or black. If there is an art store or hobby store near you that stocks scrap book supplies they will usually have a large selection of colored papers in this size. Get the slightly heavier weight they might call card stock and pick out a nice range of value in colors that go together -- it can be monochromatic or not. See sample 'W' with class description.


ABC2010. ABC2010: Alberta Calligraphy Conf., Red Deer
ABC2010: Alberta Calligraphy Conf., Red Deer, Canada

Free Shipping on orders for pick-up at the Red Deer Conference.



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B2383. Rudolf Koch/Cinamon
Rudolf Koch: Letterer Type Designer Teacher
By Gerald Cinamon. Forward by Hermann Zapf. 208pp. 8.5"x11.25"

An important biography of the life and work of Rudolf Koch, a leading calligraphy and typographer in Germany in the early 20th century. His bold, tightly spaced calligraphic works are still a major influence on lettering artists today. The book is well illustrated with hundreds of examples of Koch's lettering, fonts, typographical designs, and Koch's bold use of the wood-cut medium. Many illustrations are seen for the first time in an English language book. All illustrations in black and white only.

ON SALE! WAS $49.95 NOW $24.95!!!
limited supply of sale copies




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B1000. Schriftkunst - Letter Art/Hoefer
B1000. Schriftkunst/Letterart
By Karlgeorg Hoefer. 1989. 95pp. 8"x8.5". Hardcover.

A collection of articles on Hoefer and his calligraphy and type design by Hermann Zapf, Dieter Leitner, Larry Brady, Gottfried Pott, Sheila Waters and others. Over 45 illustrations, most full page, of his calligraphy and type designs. 11 in full color. Hoefer is a master of the brush letter. Text in German and English. Edition of 1800. From Germany. Finely printed.



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LR13-3. Letter Arts Review 13.3
Letter Arts Review Vol 13, No 3

Juried selection of the lettering arts with 54 or so examples. Judges: Jean Evans, Richard Baker, Paul Sych. LR13.3



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BR01. W&N 995 Chisel Lettering Brush
Chisel Edged Lettering Brush

The standard brush recommended by John Stevens, Carl Rohrs and other instructors for chisel-edged alphabets. Golden nylon flat watercolor brush with seamless nickel ferrules and clear plastic handle. Durable and responsive.
Winsor and Newton Series 995 flat water color brush.

Choose from three sizes:

½" List $17.55
¾" List $25.35
1" List $35.95

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Your Price $17.55 Increase Quantity Decrease Quantity

PS05. Canson Ingres Sheets
27lb, 100gsm. 19x25". 65% cotton. Laid finish. Acid free. Laid finish. One sidee smoother than other. Popular for calligraphy and bookmaking. Suitable for light washes. Gelatin sized. Specifiy color.


This paper ships separately from books/supplies and requires extra shipping fees which WILL NOT be displayed during checkout. We will adjust your shipping costs before we charge your card .(click to read details)




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Your Price $1.80 Increase Quantity Decrease Quantity

PS61. Canson Mi-Teintes Paper
Heavy weight pastel paper. One side textured, one side smoother. 60% cotton. Acid free. For calligraphy and papercraft and bookbinding projects.

This paper ships separately from books/supplies and requires extra shipping fees which WILL NOT be displayed during checkout. We will adjust your shipping costs before we charge your card .(click to read details)



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PS21-WHT. Bugra White 34in X 21in
Bugra
100% Alpha Cellulose, laid finish. 130g/m2. White. 34"x21".

A thicker pronounced laid finish paper. Increasingly popular paper with calligraphers. Mould made. Germany.

This paper ships separately from books/supplies and requires extra shipping fees which WILL NOT be displayed during checkout. We will adjust your shipping costs before we charge your card .(click to read details)



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I08. Higgins Eternal Ink
Higgins Eternal Ink
Retail $4.20 SALE

A non-waterproof, carbon black ink for dip pens. Our most popular ink for classes. Recommended for copperplate (add a few drops of gum arabic). Perhaps the best ink for calligraphy for a beginner; it will cause the beginner the fewest problems. This ink will bleed more readily than other inks. If bleeding is a problem try Sumi Inks. 2.5 oz.

Quantity discounts start at 6 & 12.



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I53-2.5. Walnut Drawing Ink
I53-2.5. Walnut Ink 2.5oz

A rich sepia ink. Thin with water to create a wash. For brush or dip pen. Already liquid. Non-waterproof (but not suitable for fountain pens). 2.5 oz



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