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B4122. Palatino: The Natural History of a Typeface Palatino: The Natural History of a Typeface by Robert Bringhurst. 2016. 296pp. 5.6"x9". Hardcover
Robert Bringhurst takes Palatino, probably the most widely known and used of all Hermann Zapf faces, and traces its development and its history as it transforms from hot metal, through the brief interlude of film setting, and finally into the digital world, with all the permutations, refinements, and its imitations. Included with the text are over 200 illustrations – design sketches, working drawings, smoke proofs and test prints, matrices, foundry and Linotype patterns – all printed in five colors. Covers Palatino and its extended family: foundry and Linotype, Michelangelo, Sistina, Aldus, Heraklit, Phidias, Zapf Renaissance, and PostScript Palatino, Aldus Nova, and Palatino Sans.
The book is an argument, and a convincing one, that artists who create letters can, and should, be judged by the same standards and held in the same esteem as composers who write music and artists who paint on canvas. Bringhurst asks the question, "Can a penstroke or a letterform be so beautiful it will stop you in your tracks and maybe break your heart?" In this groundbreaking, seminal and totally original book, issued in an edition of 1,000 copies, he answers the question: "It can."
Accompanying the book is an eight-page signature, printed letterpress directly from handset foundry and Linotype hot metal type by Jerry Kelly.
B3798. 75 Artist Books: The Kaldewey Press / von Lucius 75 Artist Books: The Kaldewey Press, New York, A Catalogue Raisonné by Clemens von Lucius. 2011. 364pp. 6.7"x9.5". Flexcover. Note: these sale copies are shelfworn.
The Kaldewey Press, established in 1985, has produced 75 artists’ books. It is one of the leading presses for contemporary artist books, and its exquisite volumes have been exhibited worldwide, including at the Metropolitan Museum of Art in New York. The proprietor, Gunnar A Kaldewey, has collaborated with artists such as Mischa Kuball, Jonathan Lasker, Heribert C. Ottersbach, Richard Tuttle, and Not Vital. These limited edition books have featured writers from many countries and periods, from Lao Tsu and Ovid to Samuel Beckett and Paul Celan. This profusely illustrated catalogue raisonné presents in detail all seventy-five books published to date, with individual descriptions, an introductory essay, and an interview with Gunnar A. Kaldewey. The press is located in Poestenkill, NY. Approx. 500 illustrations.
B3803. Hermann Zapf Book Combo This is a special price for the following two books. Save $10 by purchasing together.
B3435. About More Alphabets: The Types of Hermann Zapf by Jerry Kelly with a foreword by Robert Bringhurst. 2011. 112pp. 4.5"x7". Hardcover
In 1960, the Typophiles published a now-treasured chapbook on Hermann Zapf's metal faces. More than 50 years later, this new volume brings you up-to-date, presenting a selection of his major alphabet design projects. Even as letterforms have changed from metal to phototype to digital, Zapf has continued to produce exceptional typefaces - most drawing from pen-made forms. The book is filled with type drawings and trials and other illustrations, some rarely seen. Purchase your copy of this finely-printed letter art treasure designed by Jerry Kelly. (As a used book, the first Zapf chapbook can command $100 or more.). Typophile Chap Book New Series no. 3.
B3796. What Our Lettering Needs: The Contribution of Hermann Zapf to Calligraphy & Type Design at Hallmark Cards by Rick Cusick. 2012. 136pp. 6.75"x10". Paper
A thorough account of Hermann Zapf's contributions to the calligraphic and typographic artistry of Hallmark Cards. The Hallmark/Zapf association is a now fully blended into the company's rich heritage in the lettering arts. This beautifully illustrated book is a tribute to Zapf's own philosophy that the artist's challenge is "to ensure, despite technology and mass production, that beauty is never lost." Printed in color on Mohawk superfine. Rick Cusick presently oversees the design and development of proprietary fonts for Hallmark Cards. He is also a respected designer, calligrapher, and teacher working with the University of Kansas in developing lectures and curriculum for lettering, typography, and type design.
B3898. Simple Art of Chinese Calligraphy The Simple Art of Chinese Calligraphy: Create Your Own Chinese Characters and Symbols for Good Fortune and Prosperity
by Qu Lei Lei. 2002.128pp. 8.5"x11". Hardcover
First the book provide a bit of history and then discusses brushes, ink, paper and ink stones. Next it presents the strokes in style groups (dot, horizontal, vertical, thook, raise, aside, right falling, bend) and in characters. Projects include fans (flat,folded, crescent), cards, hangings, shirts, seals & paper cutting. The last section has 100 Western first names and proverbs to use.
B4127. Scripsit 37.2 & 38.1: Hermann Zapf B4127. Scripsit 37.2 & 38.1 (Double Issue): Hermann Zapf: A Life in Letters. 2016. 72pp. 8.5"x11. Paper
72-page memorial tribute to Hermann Zapf (1918-2015), compiled, written, and designed by Julian Waters. Nearly 200 illustrations.
Chapters: Early Years, First Steps in Calligraphy, The Wartime Sketchbooks, Pen and Graver, Das Blumen ABC, Early Calligraphic Typefaces, Palatino, Optima, Gudrun Zapf von Hesse, Manual Typographicum ( 1955 & 1968).Typographic Variations, Book Design, Graphic and Calligraphic Art, Hallmark Film: The Art of Hermann Zapf, Hallmark Lettering Manual, Rotring Calligraphy Manual, Hallmark Typefaces, Hunt Roman, Zapf Civilete, Non-Latin Scripts, Orbis Typographicus, Designs for ITC, Early Digital Types, Zapf Renaissance, Zafino, Scraffitto.
While the cover has Vol 38 No 2 & Vol 37 No 1, this is double-issue 37.2 & 38.1.
B4129. Traité de la Peinture: Extraits / da Vinci & Polello B4129. Traité de la Peinture: Extraits (Treatise on Painting: Excerpts) by Leonardo de Vinci. Calligraphy by Massimo Polello. 2008. 80pp. 6.25"x12.75". Paper
Each spread presents a passage from Leonardo’s Treatise on Painting in both French and Italian, each with a calligraphic initial letter, along with a work by Massimo.
B4144. Practical Letter Book / Kaemmer B4144. Practical Letter Book by J.H. Kaemmer. 2016. 160pp. 10.5"x9". Paper
Published in 1911 as a resource for sign painters, this is a
wonderful compendium of alphabets and letters. The 140 plates feature numerous historical and modern (for 1911) styles from throughout Europe, including sans serif, slab serif, shadow letters, pointed pen scripts, Versal and Blackletter (Gothic) forms. Most are full alphabets. Numerals are shown over seven pages.
B4147. Caporali Missal: A Masterpiece of Renaissance Illumination B4147. Caporali Missal: A Masterpiece of Renaissance Illumination by Stephen N. Fliegel. 2013. 130pp. 9"x11.5". Paper
The Caporali Missal, a sumptuous and important Renaissance missal—or service book for the priest at the altar—was illuminated by the Caporali brothers for the Franciscan community in the hillside town of Montone, near Perugia, in 1469. This exhibition catalog celebrates this important manuscript, recently acquired by the Cleveland Museum of Art, with exquisite reproductions that bring the illuminated pages to life. Additional works by the Caporali brothers and relevant art from the museum's and other collections elucidate the history, style, content, function, and authorship of the missal. Illustrations of a chalice and a paten, a chasuble, and a processional cross enhance the religious and aesthetic context of the manuscript. A series of essays by eminent scholars examine the influence of Florentine artists on the Caporali brothers and explore the spiritual life of the Franciscan community and the history of the friary at Montone.
B4161. All That Glisters / CLAS All that Glisters. 2012. 100pp. 7.5"x7.5". Paper
This beautiful catalog of CLAS’s Living Letters IV exhibition features a juried selection of 96 works from nearly 60 scribes, including multiple works from Paul Eccles, Gaynor Goffe, Marlene Gray, David Harris, Dee Howley Gibbs, Lin Kerr, Susie Leiper, Linda Lewis, Patricia Lovett, Marion McKenzie, Janet Mehigan, Margaret Morgan, Timothy Noad, Mary Noble, Nancy Ouchida-Howells,Tom Perkins, Jan Pickett, Katharina Pieper, Alan Quincey, Jan Sambell, Cathy Staples, and Jan Turner. The works follow the title theme using gold leaf and color and/or text that refers to gold, the sun, light, and the like. There are both traditional and contemporary pieces and done with pens, brushes, and chisels.