B2787. Bible of Illuminated Letters/Morgan The Bible of Illuminated Letters: A Treasury of Decorative Calligraphy by Margaret Morgan. 2006. 256pp. 5.75" x 7.75". Hidden spiral hardcover.
Retail Price $24.99.
Step-by-step instructions for creating 12 illuminated alphabets including Celtic, Saxon, Gothic, Romanesque and Modern Revival. Both caps and minuscules are presented along with borders and decorations. Gilding is also covered. Gallery of historical and contemporary illuminated letters. More than 400 color illustrations.
Published as Illuminated Letters: A Treasury of Decorative Calligraphy in the U.K.
B2873. 1001 Illuminated Letters/Jones B2873. 1001 Illuminated Initial Letters: 27 Full-Color Plates by Owen Jones. 1988. 32pp. 9.25" x 12.25". Paper
Michael Sull uses this resource for illuminated initials for recognition scrolls and other pieces. You are presented with over three dozen variations for each letter of the alphabet, using acanthus leaf, white dot, filigree, and other motifs. Full-color throughout.
B2578. Materials & Tech of Medieval Paint The Materials and Techniques of Medieval
By Daniel V. Thompson. 239pp. Paper.
Recommended by Sheila Waters in her illuminated initials workshop. Excellent introduction for illuminators and painters. Cover carriers and grounds, including the different types of surfaces used and their preparation. Followed by a section on binding media consisting of binding methods and vehicles, their viscosity and transparency effects, and the pros and cons of different binding media, glazes and varnishes. Gives a classification of medieval pigments divided into smaller sections for each main color. Includes pigment mixing, reaction, permanence problems, confusion of identification, and history. Metals are also discussed, including types of gold media and gilding methods. Essential for anyone interested in the building blocks of medieval painting.
B3912. Book of Kells, The HC / Meehan B3912. The Book of Kells by Bernard Meehan. 2013. 256pp. 10x12.87 Hardcover with a slipcase.
The manuscript has been newly photographed and this book provides a clarity far surpassing earlier reproductions. You can marvel at the extraordinarily inventive and intricate imagery that accompanies the texts of the four Gospels: full-page depictions of Evangelists and their symbols, lavish honorific openings to the Gospels, extraordinary initials, and decoration that combines complex interlace, animals, and human figures. This volume features more than fifty full-size reproductions of complete pages plus enlarged details. Supplementary images place the manuscript in its setting and provide comparisons for its iconography and style.
The rich illustrations are paired with an exploration of the manuscript’s historical background, an examination of earlier and comparable manuscripts, a detailed discussion of symbols and themes, and a look at the scribes and artists who worked on the manuscript and their techniques, illuminated by recent scientific research.
B4029. Irish Hand, The / O’Neill B4029. The Irish Hand: Scribes and their Manuscripts from the Earliest Times by Timothy O’Neill. 2014. 148pp. Approx. 11.75"x 9.25". Hardcover
This revised and expanded edition has high quality, full-color digital images of the works of Irish scribes throughout the centuries. (The original edition was in black & white.) The first part is a survey of the manuscript tradition, followed by essays and full-page images for thirty-one of the great books of Ireland. The context, contents, and history of each manuscript are given, accompanied by a full-page illustration. The second part surveys the work of the scribes from a practical perspective, examining script and lettering in detail. Extracts are given from fifty-two manuscripts, transliterated and translated, with a commentary on the pen work. The Irish Hand covers 1,500 years of Irish script and letter design from the sixth to the twenty-first century.
B4095. Illumination: Gold and Colour / Lovett B4095. Illumination: Gold and Colour by Patrica Lovett. 2015. 164pp. 8.25"x8.25". Paper
This book is out of stock. We will have more available in September or October. If you order the book now it will be put on backorder.
A practical guide to the use of gold and color, both for easy and quick projects, using basic materials and for more involved projects with vellum and parchment, quills, color, gold, and gesso. All lead up to a presentation of the step-by-step stages in gilding and painting a medieval miniature. Instruction boxes make the processes easy to see and follow.
introduces the tools and materials and demonstrates them to us in a variety of projects, from easy to more challenging. Techniques are carefully explained in step-by step processes, and there are clear explanations of what to do if things go wrong. Although traditional methods and materials are included, modern adhesives, tools, and materials are also considered for those who prefer a quicker result. USA & Canada: This PAL format DVD will play on your computer but not on your DVD player.
introduces the tools and materials and demonstrates them to us in a variety of projects, from easy to more challenging. Techniques are carefully explained in step-by step processes, and there are clear explanations of what to do if things go wrong. Although traditional methods and materials are included, modern adhesives, tools, and materials are also considered for those who prefer a quicker result.
B2054. Arteffects / Green Arteffects by Jean Drysdale Green. 1993. 208pp. 8.25"x11". Paper.
A visual sampler, including step-by-step demonstrations, for experimenting with inks, watercolor, acrylics, oils, pastels, and unusual materials to achieve hundreds of different effects to use in your paintings. ArtEffects is divided into five sections that cover the most-used painting mediums: inks, watercolor, acrylics, oils, and pastels. Each section begins with a general discussion of the specific medium's unique properties, physical makeup, and methods of application, followed by a list of various materials that can be used in combination with the medium. This is followed by a display of examples (some with step-by-step demonstration) of the almost limitless textures and effects you can achieve by combining one medium with another or with the myriad papers and art-related products on the market today, as well as with household and other unexpected materials, such as cornstarch, string, and plastic wrap. Here, you can easily find out how a specific medium will perform in combination with, for example, sand, gold gouache, or acrylic modeling paste, and how that medium can be used in airbrush, stenciling, and monoprinting techniques.