B4161. All That Glisters / CLAS All that Glisters. 2012. 100pp. 7.5"x7.5". Paper
This beautiful catalog of CLAS’s Living Letters IV exhibition features a juried selection of 96 works from nearly 60 scribes, including multiple works from Paul Eccles, Gaynor Goffe, Marlene Gray, David Harris, Dee Howley Gibbs, Lin Kerr, Susie Leiper, Linda Lewis, Patricia Lovett, Marion McKenzie, Janet Mehigan, Margaret Morgan, Timothy Noad, Mary Noble, Nancy Ouchida-Howells,Tom Perkins, Jan Pickett, Katharina Pieper, Alan Quincey, Jan Sambell, Cathy Staples, and Jan Turner. The works follow the title theme using gold leaf and color and/or text that refers to gold, the sun, light, and the like. There are both traditional and contemporary pieces and done with pens, brushes, and chisels.
B4170. Illuminating Wisdom / Hassed B4170. Illuminating Wisdom: Words of Wisdom, Works of Art by Dierdre & Craig Hassed. 2017. 168pp. 8"x8". Hard
Brings art and wisdom together in a beautiful celebration of some of the world's most inspiring philosophical, spiritual and literary quotes. Approximately 80 quotes have been drawn from some of the great wisdom and literary traditions of both East and West, as well as from inspiring people throughout history noted for their practical wisdom. These quotes have been set to exquisite calligraphy by Deirdre Hassed in a range of styles, from the traditional to the contemporary, using many and varied techniques, such as gilding, collage, work on glass, letterpress, and linoprinting.
B4214. Art and History of Calligraphy / Lovett B4214. Art and History of Calligraphy by Patricia Lovett. 2017. 224pp. 8.5"x11". Hardcover.
Presents first a well-illustrated history of calligraphic hands from early Roman Cursive and Uncial through to Edward Johnston’s Foundational hand. Next is a longer chapter on how manuscripts are made, covering: pens, pigments, metal leaf, brushes, and vellum, and how they were used to letter, gild, and illustrate manuscripts. A series of full- or multi-page plates of 75 manuscripts follow, with a description of the manuscript, the significance of its text, the hand used, and other facets of its production. The first 50 or so pages span the third through the sixteenth centuries. From English revival and forward are plates from William Morris and Edward Johnston and from fifteen 20th-century scribes.
B3168-P. Gilded Page PB / Whitley The Gilded Page: The History and Technique of Manuscript Gilding by Kathleen P. Whitley. 2009. 238pp. 6"x9". Paperback.
Explains in detail the historical and modern techniques of manuscript gilding, along with recipes and helpful hints. Learn step-by-step methods of applying and burnishing gold, described in a sensible and easy-to-understand way. Learn about the tools, methods, and materials employed in flat, raised, and pattern gilding for manuscripts and paintings, along with historical mordants such as Gesso Sottile, Gum Ammoniac, Gum Arabic, and Garlic Juice; and modern mordants such as Acrylic Gesso and White Glue. Second edition; revised, with the addition of color plates and new information on ancient Egyptian Papyrus gilding.
CD14. Technique of Raised Gilding (CD PDF Book) The Technique of Raised Gilding
By Jerry Tresser. 2006. 72pp. CD in PDF format.
This practical gilding manual provides a scientific and historical analysis of the materials and techniques for
raised gilding with gesso and provides step by step instructions. Tresser approaches gilding as chemist to demystify the craft process and help you to be consistently successful. Provides an in-depth discussion of the preparation and application of the gesso. CD includes color photos, not in the original printed edition. (You need Adobe Acrobat Reader, a free downloadable program, to view/print the book.)