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Layout/Design


B4055. William Addison Dwiggins: Stencilled Ornament and Illustration
B4055. William Addison Dwiggins: Stencilled Ornament and Illustration Expanded Edition by Dorothy Abbe and Bruce Kennett. 2015. 112pp. 6.75"x9". Paper.

A classic from the man who coined the term graphic design - There has never been anyone in the design world like William Addison Dwiggins (1880-1956). The first American to call himself a graphic designer, he applied his prodigious talents in the fields of typography, calligraphy, illustration, and even puppeteering - a more fitting title might have been Renaissance man. He is best known for his book designs, which combine his expertise in calligraphy, use of stencils, and typography. Very little has been published on Dwiggins, until now. The first of several planned volumes on his incredible legacy, this reprint of Stencilled Ornament & Illustration includes the original book, hand-set in an experimental Linotype face he designed, along with stencils and plates illustrating a dizzying array of graphical elements. A new introduction by Bruce Kennett shows how Dwiggins used ornaments, rules, and other elements in his final book and jacket designs. Originally published in a letterpress edition of 120 copies, this important book introduces the unique genius of Dwiggins to a broader audience. 144 illustrations, 24 in color.




Your Price $29.95 Increase Quantity Decrease Quantity

B4104. De Collectie / Broes
B4104. De Collectie: Letters, Tekens, Symbolen by Jan Broes. 2015. 168pp. 9.5"x11". Hardcover

Filled with calligraphic works, most full-page or nearly so, with many large details. Features works on paper and works cut in stone by European lettering artists, including multiple works by Werner Schneider, Elmo van Slingerland, Jean-Claude Lamborot, Hans Schmidt, and Heinz Schumann, as well as work by John Stevens. Text is in Dutch, French, & German.

Designed by Elmo van Slingerland.




Your Price $49.95 Increase Quantity Decrease Quantity

B4107. Buchstäblich: Hans Schmidt
B4107. Buchstäblich: Hans Schmidt, Arbeiten von (Work from) 1992-1998. 1998. 34pp. 8.25"x10.25". Paper

Displays 28 letterworks, both on paper and sculptural. Includes introduction by Javis Lauva. The title is, perhaps, a play on words: Buchstäblich is the German word for “literally” and Buchstaben is German for “letters,” hence “literally letters,” an apt description of Schmit’s art. Text in German.



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B4108. Hans Schmidt: Arbeiten 1998-2001
B4108. Hans Schmidt: Arbeiten (Work) 1998-2001. 40pp. 8.25"x10.25". Paper

Displays 32 letterworks, both on paper and sculptural. Includes brief artist’s statement (Selbstgesprach) and bio. Text in German.




Your Price $23.50 Increase Quantity Decrease Quantity

B4109. Hans Schmidt: Vom Linearen zum voluminösen
B4109. Hans Schmidt: Vom Linearen zum voluminösen (from linear to voluminous). 48pp. 8.25"x10.25". 2008. Paper

Displays around 50 pieces, including woodcuts and other works on paper; books; and relief works, sculptural works in metal, wood, and ceramics. Covers work from 1992 to 2007. Introduction by Stefan Soltek and a brief bio of Schmidt. Text in German




Your Price $29.00 Increase Quantity Decrease Quantity

B4141. Classic Book Jackets: The Design Legacy of George Salter/Hansen
B4141. Classic Book Jackets: The Design Legacy of George Salter by Thomas Hansen. 2004. 200pp. 8.2"x9.8". Paper


It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the works of such revered authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability to reduce the illustrated dust-jacket -- a new part of the book package -- to its essential elements. He could visually evoke -- with typography, calligraphy, and pictorial imagery -- the contents of any given book.




Your Price $35.00 Increase Quantity Decrease Quantity

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