In an effort to reduce duplication, this page displays only a selection of the products we offer in this category. Please click on a subcategory in the list on the left to view a complete list of the products we offer in that specific subcategory.
B3841. Just My Type: A Book About Fonts / Garfield B3841. Just My Type: A Book About Fonts by Simon Garfield. 2011. 356pp. 9.25"x6.25". Hardcover
A fun history of type design with great and interesting details. Includes thoughts on which typefaces on your computer are actually worth using. An enjoyable and informative read. Recommended by Annie Cicale and others.
B4099. Textual Art / Sonsino B4099. Textual Art: Inspirations and Techniques for Creating Art with Calligraphy by Simon Sonsino. 2015. 104pp. 8.5"x8.5". Hardcover
The author shares his unique personal approach to abstract letterform, showing you simple but striking techniques for creating your own art with calligraphy. For beginners and improvers.
Contains step-by-step instructions for techniques and is illustrated in full color throughout. It also features work by some of the world's leading contemporary calligraphers: Gemma Black, Yukimi Annand, Thomas Ingmire, Denis Brown, and Yves Leterme.
B4104. De Collectie / Broes B4104. De Collectie: Letters, Tekens, Symbolen by Jan Broes. 2015. 168pp. 9.5"x11". Hardcover
Filled with calligraphic works, most full-page or nearly so, with many large details. Features works on paper and works cut in stone by European lettering artists, including multiple works by Werner Schneider, Elmo van Slingerland, Jean-Claude Lamborot, Hans Schmidt, and Heinz Schumann, as well as work by John Stevens. Text is in Dutch, French, & German.
B4103. Signs of Italy / Clough B4103. Signs of Italy: Outdoor Lettering Up and Down the Boot by James Clough. 2015. 248pp, 12"x8.5". Hardcover
Before typefaces and fonts dominated the scene, there was no standardization in Italy of letterforms for commercial signs, and there were no printed manuals for signwriters. This detachment from standard models and the craftsmanship and creativity of the signmakers and designers are what make Italian signs so extraordinary, and provides such a variety of original letterforms. Whimsical, intuitive, humorous, improvised, and elegant: Italian signs are a mirror of Italian society. From the ornate Tuscan style of the 19th century to the eccentric letters of Art Nouveau, from the grandiose architectural lettering of the 1930s to the exquisite surviving examples of the old signwriters, from fascist ghost signs to lettering on manhole covers, the book takes you on a fascinating lettering tour of Italy. Over 300 full-color photographs.
B4107. Buchstäblich: Hans Schmidt B4107. Buchstäblich: Hans Schmidt, Arbeiten von (Work from) 1992-1998. 1998. 34pp. 8.25"x10.25". Paper
Displays 28 letterworks, both on paper and sculptural. Includes introduction by Javis Lauva. The title is, perhaps, a play on words: Buchstäblich is the German word for “literally” and Buchstaben is German for “letters,” hence “literally letters,” an apt description of Schmit’s art. Text in German.
B4109. Hans Schmidt: Vom Linearen zum voluminösen B4109. Hans Schmidt: Vom Linearen zum voluminösen (from linear to voluminous). 48pp. 8.25"x10.25". 2008. Paper
Displays around 50 pieces, including woodcuts and other works on paper; books; and relief works, sculptural works in metal, wood, and ceramics. Covers work from 1992 to 2007. Introduction by Stefan Soltek and a brief bio of Schmidt. Text in German
B2054. Arteffects / Green Arteffects by Jean Drysdale Green. 1993. 208pp. 8.25"x11". Paper.
A visual sampler, including step-by-step demonstrations, for experimenting with inks, watercolor, acrylics, oils, pastels, and unusual materials to achieve hundreds of different effects to use in your paintings. ArtEffects is divided into five sections that cover the most-used painting mediums: inks, watercolor, acrylics, oils, and pastels. Each section begins with a general discussion of the specific medium's unique properties, physical makeup, and methods of application, followed by a list of various materials that can be used in combination with the medium. This is followed by a display of examples (some with step-by-step demonstration) of the almost limitless textures and effects you can achieve by combining one medium with another or with the myriad papers and art-related products on the market today, as well as with household and other unexpected materials, such as cornstarch, string, and plastic wrap. Here, you can easily find out how a specific medium will perform in combination with, for example, sand, gold gouache, or acrylic modeling paste, and how that medium can be used in airbrush, stenciling, and monoprinting techniques.
B2746. Great Book of Gaelic An Leabhar Mor: The Great Book of Gaelic
Edited by Malcolm Maclean and Theo Dorgan. 2002. 321pp. 10.25"x8.5". Paper.
A project of Gaelic (Scottish and Irish) poets, artists and scribes & a typographer. The 100 poems are drawn from the last 1500 years and is presented in both Gaelic and English. 50 Scottish and 50 Irish visual artists - including painters, printmakers and photographers - created a work in response to the text. Full color.