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A14-Ewan Clayton

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Ewan Clayton
A14 — THE LETTERING OF HANS-JOACHIM BURGERT
One-Day Class, Sunday, July 26
Intermediate/Advanced

Layout bond paper (not smaller than 11" x 17") (P20-100). Pencil (S142). Black ink (not waterproof) (I08, I70). Dip pens (Rexel, Brause, or Speedball square-cut nibs, Mitchell/manuscript/Rexel: small nib sizes) (N04, N02, N09). A monoline pen (N16). Eraser (E13)

By Ewan Clayton
B3930-P. The Golden Thread: The Story of Writing by Ewan Clayton. 2014. Paper $17.95. Pre-order price $16.15
B3938. Embracing Change: Spirituality and the Lindisfarne Gospels by Ewan Clayton. Hardcover $35.00
Ewan Clayton is also one of the contributors to
B4030. The Eternal Letter: Two Millennia of the Classical Roman Capital edited by Paul Shaw. Hardcover $54.95. Pre-order price $44.95
About Ewan Clayton
"Ewan Clayton in Conversation" by Edward Wates, in Letter Arts Review 21.4 (LR21-4) $14.50
A14 — The Lettering of Hans-Joachim Burgert B2783. The Calligraphic Line by Hans-Joachim-Burgert. Paper spiral $35.00
"If one only knew what calligraphy is" by Hans-Joachim-Burgert in Letter Arts Review Vol. 12, No. 4 (LR12-4) $12.50
"Hans Joachim Burgert and the Berlin Calligraphy Collection" by Benno Aumann in Letter Arts Review 24.3 (LR 24-3) $14.50


S142. Design Drawing Pencils
Design Drawing Pencils
Design 3800. Prismacolor Turquoise.


"6H" is hardest lead. "9B" is softest lead, Specify 6H, 5H, 4H, 3H, 2H, HB, H, F, B, 2B, 3B, 4B, 5B, 6B.



Options:
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I08. Higgins Eternal Ink
I08. Higgins Eternal Ink.

A non-waterproof, carbon black ink for dip pens. Our most popular ink for classes. Recommended for copperplate (add a few drops of gum arabic). Perhaps the best ink for calligraphy for a beginner; it will cause the beginner the fewest problems. This ink will bleed more readily than other inks. If bleeding is a problem, try Sumi Inks. 2.5 oz.

Quantity discounts start at 6 & 12.

"For broad-pen writing, I add gouache to Higgins Eternal. Gouache gives Eternal some needed body. It doesn't necessarily have to be black gouache. Indigo or a dark red add an interesting hue to the result. In a quarter ounce of Eternal, I add about a 3/8-inch bead of gouache from a tube. Eternal doesn't give me the hairlines I want in pointed pen work, so for that I much prefer iron gall or walnut ink". - Bob Hurford




Your Price $5.75

I70. Moon Palace Sumi Ink
Moon Palace Sumi
The Ink is now in a bottle with a Gold Label

While the packaging is a bit different, this is the highly sought after and highly recommended Japanese Sumi Ink. For both broad edge and pointed pen work. Dries waterproof. A great calligraphy ink.

"I like Moon Palace better, but both Moon Palace and Best Bottle are beautiful inks. The Moon Palace has a slight sheen to it, which I like. Michael suggested this ink to me so please tell him I said, "thank you". I just finished a job of 200 invitations with Moon Palace and the ink is beautiful. I did not dilute the ink.
A client just brought me invitations (slick paper) to address. This bride knew going into this that I probably couldn't do pointed pen. However, for fun, I tried the Sumi inks and to my surprise they worked pretty darn good. I usually have to use a sharpie on slick envelopes, yikes!!!"

--Clair F., Jan 2011.

Four sizes available:

2.0 oz (widemouthed jar)
6.0 oz (180ml)

15 & 60 oz are temporarily unavailable: arriving Dec 2019




Options:
Your Price

N04. Mitchell Nibs (Round Hand)
Mitchell Rexel Round Hand Nibs
Straight cut. Sizes 0(3.3mm), 1(3mm), 1-1/2(2.5mm),
2(2.3mm), 2-1/2(1.8mm), 3(1.4mm), 3-1/2(1mm),
4(0.9mm), 5(.75mm), 6(.6mm).

Flexible calligraphy nibs from England. Straight cut. Reservoirs are purchased separately. Though they are called Round Hand, these chisel edge nibs are good for many alphabets including Carolingian, Italic, Uncials, Gothic, Foundational Hand, and Roman Caps. Used by professional calligraphers with and without the reservoirs. Some beginners may have trouble with the flexibility. One of our most popular nibs for calligraphy. Give them a try.

See N05 for Left Hand Mitchell Nibs.




Options:
Your Price $1.45

N09. Speedball C Calligraphy Nibs
American calligraphy nibs for Italic, Blackletter (Gothic, Old English), Uncial, Half Uncial, Foundational and many other hands or alphabets. C-0, C-1, C-2, C-3, C-4, C-5, C-6. C-0 is largest, C-6 is smallest. Best in larger sizes. C-2, C-3, & C-4 are popular for beginners' classes. They rust easily so let them dry thoroughly before storing them away. Speedball C Calligraphy Nibs.

For more information about Speedball C nibs, click here.




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N16. Speedball B Series
Specify size: B0, B0.5, B1, B2, B3, B4, B5, B5.5, B6

B Series is a round nib ideal for Gothic or outline letters. Also often used by illustrators for cartoons, uniform line drawings, borders, and display posters.

For more information about Speedball B nibs, click here.



Options:
Your Price

E13. Staedtler Mars White Plastic Eraser
E13. Staedtler Mars White Plastic Eraser

A highly recommended white plastic eraser. For erasing pencil.



Your Price

B3930-P. Golden Thread, The (PAPER) / Clayton
B3930-P. The Golden Thread: The Story of Writing by Ewan Clayton. 2014. 407pp. 6.2"x9". Paper

Marks each step in the historical development of writing, and explores the social and cultural impact of every stage: the invention of the alphabet; the replacement of the papyrus scroll with the codex in the late Roman period; the perfecting of printing using moveable type in the fifteenth century and the ensuing spread of literacy; the industrialization of printing during the Industrial Revolution; the impact of artistic Modernism on the written word in the early twentieth century - and of the digital switchover at the century's close.

Please note: This is the paperback edition of The Golden Thread. The hardcover edition of this title, featured in our full print catalog, is no longer available.



Your Price

B4030. Eternal Letter, The / Shaw
B4030. The Eternal Letter: Two Millennia of the Classical Roman Capital edited by Paul Shaw. 2015. 264pp. 9.125"x11.5". Hardcover.

Click the image for a preview of the book.

This is a lavishly illustrated examination of the enduring influence of the classical Roman capital letter. Its chapters - by highly regarded practitioners in the fields of typography, lettering, and stone carving - discuss the subtleties of the classical letterforms, different iterations of it over the years, and the work of famous typographers and craftsmen. Contributors include John E. Benson, Nicholas Benson, Matthew Carter, Ewan Clayton, Lance Hidy, Jost Hochuli, Jonathan Hoefler, Richard Kindersley, Scott-Martin Kosofsky, Gerry Leonidas, Martin Majoor, Steve Matteson, James Mosley, Tom Perkins, Yves Peters, Werner Schneider, Paul Shaw, Julian Waters, Maxim Zhukov.




Your Price $55.95

B2783. Calligraphic Line / Burgert
The Calligraphic Line: Thoughts on the Art of Writing
By Hans-Joachim Burgert. 2nd edition. Translated by Brody Neuenschwander. (1989) 2002. Approx. 177pp. 8.5"x11". Paper Spiral.



Presents Burgert's perspective on the role of form and function in calligraphy and writing, the history of the graphic form (symbol/writing/calligraphy), the need and development of cursive writing and alphabets. The second section presents Burgert's thoughts on the place of calligraphy in the Western world after the invention of printing from type and its relationship to type. Note that this is a photocopy reproduction. The quality of the illustrations vary, but all are photocopies.



If pg.60 of your copy is blank, see a pdf of the illustrations.



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