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History and Geometry in Medieval Scripts

Annie Cicale: History and Geometry in Medieval Scripts Materials:
  • Calligraphy easel if you use one (S156, S160)
  • T-square & triangle, or rolling ruler (S730)
  • Masking or drafting tape (S412)
  • Scissors (S835)
  • X-Acto knife or snap-off knife (S417, S130)
  • Pencils various hardnesses (2B, HB, 2H, etc.) (PL38)
  • Soft eraser, such as Magic Rub (S86)
  • Water container (S1005)
  • Ink rags or tissues (S817)
  • Notebook
  • Old toothbrush for cleaning pens
  • Dividers (they look like a compass but they have two metal points)
  • Pens & Ink:
      Dip pens in assorted sizes, especially ranges 1.0-3.0 mm, whatever brand you are comfortable with, such as Brause, Mitchell (Rexel) or Speedball. (N02, N04, N09)
    • 2-3 pen holders, ones that feel good in your hand. (H133, H134)
    • Non-waterproof ink, such as black sumi or walnut or your favourite. (I70, S449)
    • Paper:
      • A few sheets of layout bond, 11" x 14" (P10-100)
      • A few sheets of good paper, such as Arches 90# HP, Canson or Strathmore Charcoal. Bring only if you have some. Most of your work will be on paper included in the lab fee. (PS42)
      • Tracing paper for rough drafts (P43)
      • One full sheet of Canson Mi-Tientes paper, any colour (PS61)
      • Writing with Colour
        • Designer's gouache in assorted colours (at least red, yellow, blue) plus white, or Pro White, and black (WNG1)
        • Palette (S679)
        • Old brushes for mixing gouache (BR43)
        • Gum Arabic (I84)
        You also need something to say: quotations, poems, etc. Short ones for practice and longer ones for projects. Write words that are significant to you.
        The supply fee is for inks and loaner tools.

        Recommended Books:
        No Books recommended for this class

        By and about Annie Cicale:
        • B4254. Art & Craft of Hand Lettering by Annie Cicale.
        • B3417. Scripsit: WCG 35th Anniversary Exhibiton
        • Scripsit 35.1: Features the words and work of Annie Cicale as well as 5 additional lettering artists (Doctor, Imai, Malmsten, Pearce, Reese).
        • LR22-4. "Mani Stones in the Himalayas" by Annie Cicale in Letter Arts Review Vol.22, No.4.
        • LR13-4. "Finding Content" by Annie Cicale, in Letter Arts Review Issue Vol.13, No.4.
        • BL10.2. "A Golden Proportion" by Annie Cicale, in Bound & Lettered Issue Vol.10, No.2.
        • BL. 9.4. "Carl Rohrs: Workshop Words" by Annie Cicale in BL9.4. Bound & Lettered Vol.9, No.4.
        • BL14.3. "Combining Word & Image" by Annie Cicale. Bound & Lettered Vol.14, No.3.
        • BL13.4. "Pen Angle and Proportion" by Annie Cicale in Bound & Lettered Vol.13, No.4.

        19REN. PREORDER for Rendez-vous
        19REN. Preorder for Rendez-vous 2019.

        Add this product to RENDEZ-VOUS 2019 preorders for no shipping charges and pick-up at the onsite JNB store at the conference.

        You must place your preorder by June 12, 2019.

        Your Price

        S156. Easel Frame Only
        S156 . Easel Frame Only

        November 2019: The Small easel is currently out of stock.

        Lightweight, portable easels designed for a table or desk. Folds flat to 1.5" thick for easy carrying. Large and Small easels are adjustable to 7 different angles; the Mini is adjustable to 5 different angles. Can be used as a light table by using our plexi and putting a light source behind it. The lip is 5/8" deep. The plexi or other board just rests on the lip. The easel frame is made of unfinished hardwood. The new Mini size is perfect for travel and workshops.

        You supply the light source. No light source is included.

        Small 16" wide, 19" high
        Large 23.5" wide, 17.75" high

        Your Price

        S160. Plexiglass for Easel
        S160. Frosted plexiglass for easel

        Easel sold separately.

        Small 18" x 15-1/2" 1/8"" thick
        Large 18" x 23-3/8", 1/8" thick

        Formerly S160-S & S160-L

        Your Price

        S730. Parallel Glider 10in length
        Professional-quality rolling ruler/ parallel glider. 10". For fast, accurate guidelines. Specify inches or metric. This is the deluxe version of the Rolling Ruler. This item has rubber wheels that slip much less than the plastic wheels found on most rolling rulers.

        Use this tool to speed up making pencil guideline. Draw your first guideline. Then make a single column of dots or small marks for each subsequent line. Line the rolling ruler or parallel guide on the first mark. Then you roll down and draw your guidelines at your marks. The ruler keeps the lines parallel. Mark your paper using a ruler, template or dividers with tick marks. Great for drawing guidelines for text blocks on larger works where a T-square is not practical.

        Your Price $31.00

        S412. Drafting Tape
        Drafting Tape
        3/4: wide, 400" length

        Drafting tape is a less sticky version of masking tape and is for temporary taping. Use it to attach your paper to your drawing board or table. With many papers it will peel off without damaging the paper. You should slowly and carefully peel of the tape. Also, leave the items taped only as long as necessary. These kinds of tapes can become permanently adhered to surfaces over time, especially with exposure to bright light.

        Your Price

        S835. Detail Scissors
        Detail Scissors.

        For intricate paper cutting of lighter weight papers. Super fine detail scissors made from surgical stainless steel. 4" long. Blade length 1.25".

        Your Price

        S417. Excel Deluxe Knife (NonSlip)
        Excel Deluxe Knife

        It's time to upgrade. This American-made knife has a soft handle, a no-roll feature, much sharper blades, and best of all its PURPLE (or Black, Blue, Red). It's no more expensive than X-Acto's basic knife! Safety Cap, #11 Blade.

        Your Price

        S130. Excel Blade #11
        #1 Craft Knife Blade.

        Same blade as X-acto #1, but sharper and less expensive.

        The standard pointed blade for cutting. Super sharp, double honed carbon steel blades. Works in both X-acto and Excel craft knives.

        Choose 5 pack or 100 pack.

        Your Price

        PL38. Faber-Castell 9000 Series Drawing Pencils
        PL38. Faber Castell 9000 Series Drawing Pencils

        A classic artist's drawing pencil of the highest quality, with evenly graduated degrees of hardness and strong break-resistance. Ideal for guidelines, drawing letters, and sketching. Recommended by Amity Parks. From Germany.

        "9B" = softest.
        "6H" = hardest,
        HB, H, or 2H are generally used for

        Specify: 6B, 4B, 3B, 2B, HB, H, 2H, 4H, 6H.

        Your Price

        S86. Eraser: Magic Rub
        S86. Magic Rub Eraser

        For erasing pencil guidelines. Non-abrasive.

        Your Price

        S1005. Clic & Go Foldable Water Pot
        S1005. Clic & Go Foldable Water Pot

        The Faber-Castell Clic & Go is a collapsible and expandable water pot. Easy to clean and store, travels easily. Ridges on the cup are the perfect place to hold brushes in between uses. The water pot holds approximately 12 ounces. PVC- and Latex-free.

        Your Price

        S817. Viva Papertowels, 12 sheets
        S817. Viva Paper towels, 12 sheets

        Recommended by Harvest Crittenden for wiping pen points and brushes:
        "I've used them exclusively for at least 8 years. They don't leave fuzz on the pen points or brushes."

        We have made these available for those outside the USA or in areas where this brand is not readily available. This is a small pack of 12 sheets for easy shipping.

        Your Price

        N02. Brause Calligraphy Nibs
        Sizes in millimeters (0.5, 0.75, 1.0, 1.5, 2.0, 2.5, 3.0, 4.0, 5.0). Oblique-cut.

        Brause calligraphy nibs are popular with both professionals and beginners. Stiffer nibs with reservoir on top. High quality nibs from Germany. Order these if you have a heavy hand and apply strong pressure when you write. These chisel edged dip nibs are great for Blackletter (Gothic/Old English), Italic, and other hands.

        Your Price $2.19

        N04. Mitchell Nibs (Round Hand)
        Mitchell Rexel Round Hand Nibs
        Straight cut. Sizes 0(3.3mm), 1(3mm), 1-1/2(2.5mm),
        2(2.3mm), 2-1/2(1.8mm), 3(1.4mm), 3-1/2(1mm),
        4(0.9mm), 5(.75mm), 6(.6mm).

        Flexible calligraphy nibs from England. Straight cut. Reservoirs are purchased separately. Though they are called Round Hand, these chisel edge nibs are good for many alphabets including Carolingian, Italic, Uncials, Gothic, Foundational Hand, and Roman Caps. Used by professional calligraphers with and without the reservoirs. Some beginners may have trouble with the flexibility. One of our most popular nibs for calligraphy. Give them a try.

        See N05 for Left Hand Mitchell Nibs.

        Your Price $1.45

        N09. Speedball C Calligraphy Nibs
        American calligraphy nibs for Italic, Blackletter (Gothic, Old English), Uncial, Half Uncial, Foundational and many other hands or alphabets. C-0, C-1, C-2, C-3, C-4, C-5, C-6. C-0 is largest, C-6 is smallest. Best in larger sizes. C-2, C-3, & C-4 are popular for beginners' classes. They rust easily so let them dry thoroughly before storing them away. Speedball C Calligraphy Nibs.

        For more information about Speedball C nibs, click here.

        Your Price

        H133. Moblique Pastel Dual Penholder
        H133. Moblique Pastel Dual Penholder

        Moblique Dual Penholder is a budget straight & oblique penholder designed by Luis Creations. It has a compartment to hold nibs inside the body.

        Choose from five colors (as shown, top to bottom):
        English Rose
        Dead Sea Clay
        Mint Leaf
        Purple Sand
        Blue Coral

        Also available in five Metallic finishes: see item H134.

        Click HERE for a video showing how to adjust the Moblique for different nibs.

        Your Price $9.90

        H134 . Moblique Metallic Dual Penholder
        H134. Moblique Metallic Dual Penholder

        Moblique Dual Penholder is a budget straight & oblique penholder designed by Luis Creations. It has a compartment to hold nibs inside the body.

        Choose from five shiny "metallic" finishes (as shown, top to bottom):
        Pink Pearl
        Golden Sunshine
        Copper Sunrise
        Silver Storm
        Moonlight Shadow

        Also available in Pastel Colors: see item H133.

        Click HERE for a video showing how to adjust the Moblique for different nibs.

        Your Price $12.90

        I70. Moon Palace Sumi Ink
        Moon Palace Sumi
        The Ink is now in a bottle with a Gold Label

        While the packaging is a bit different, this is the highly sought after and highly recommended Japanese Sumi Ink. For both broad edge and pointed pen work. Dries waterproof. A great calligraphy ink.

        "I like Moon Palace better, but both Moon Palace and Best Bottle are beautiful inks. The Moon Palace has a slight sheen to it, which I like. Michael suggested this ink to me so please tell him I said, "thank you". I just finished a job of 200 invitations with Moon Palace and the ink is beautiful. I did not dilute the ink.
        A client just brought me invitations (slick paper) to address. This bride knew going into this that I probably couldn't do pointed pen. However, for fun, I tried the Sumi inks and to my surprise they worked pretty darn good. I usually have to use a sharpie on slick envelopes, yikes!!!"

        --Clair F., Jan 2011.

        Four sizes available:

        2.0 oz (widemouthed jar)
        6.0 oz (180ml)

        15 & 60 oz are temporarily unavailable: arriving Dec 2019

        Your Price

        S449. Walnut Ink Crystals
        Dissolve 1 teaspoon crystals in 1/2 cup distilled water, wait for 25-35 minutes, and then you will have a warm, rich walnut ink. The ink is lightfast, flows well and is highly recommended by many master scribes. Makes a wonderful brown or sepia ink for calligraphy, drawing, washes or antiquing paper. Non-waterproof Made from walnut hulls.

        Choose Size:

        The best price for walnut ink crystals is 4oz and larger.

        Your Price

        P09-100. Boris Layout Pad 100 Sheets
        Borden & Riley's Boris Layout Pad
        Bright White Felt Marker Layout Pad (#37). 100 sheets.

        A smooth, translucent sheet that is highly recommended. No bleeding or feathering. Popular for beginning classes, and for copperplate for reproduction. Our most popular pad. From Borden & Riley.

        Choose 9x12, 11x14, or 14x17 inches.

        For tracing, Cotton Comp pads are recommended. Cotton Comp is easier to see through than the Boris Layout Pad.

        Formerly P10-100, P11-100, & P12-100

        Your Price $20.29

        PS42. Arches WC HP 90 LB 22x30
        Arches Watercolor
        Hot Press 90lb.185gsm. 22"x30".

        Superior quality, 100% rag, for pen and all techniques with opaque and transparent watercolor. Long used by calligraphers. HP (Hot press) finish is a very smooth sheet that will give a sharp smooth edge to your letters. Cold press watercolor paper can be used for calligraphy, but the letters won't be as crisp. You will see the cold press texture in your lettering. This has always been one of our most popular sheets.

        Grain runs parallel to the underlined dimension.

        This paper ships separately from books/supplies and requires an extra shipping fee which is NOT included in the price of this product. Add item 'PS00' to your cart after adding large sheets of paper. (click to read details)

        Your Price $11.03

        P43. Borden & Riley Tracing Pad #41
        P43. Borden & Riley #41 Parchment Tracing. 50 sheet pad, 25lb paper.

        A bit nicer than your normal tracing paper.

        Available in 3 sizes:

        Your Price $9.09

        WNG1. W&N Gouache Series 1
        WNG1. Winsor & Newton Series 1.
        14ml Tubes.

        Winsor & Newton produces the highest quality artist's paint. Gouache is priced by the color (based on the pigment's price). See WNG2, WNG3, WNG4 for other colors of Winsor & Newton gouache. For larger sizes (37ml) of Ivory Black, Jet Black, Lamp Black, and Permanent White, see WNGLG.

        Choose color: Alizarin Crimson, Brilliant Green, Brilliant Purple, Brilliant Red Violet, Brilliant Violet, Burnt Umber, Flame Red, Flesh Tint, Gold Ochre, Indigo, Ivory Black, Jet Black, Lamp Black, Lemon Yellow, Marigold Yellow, Naples Yellow, Neutral Grey #3, Orange Lake Deep, Orange Lake Light, Permanent Yellow Deep, Permanent White, Phthalocyanine Blue, Primary Blue, Primary Red, Primary Yellow, Prussian Blue, Raw Sienna, Raw Umber, Red Ochre, Sepia, Sky Blue, Spectrum Red, Spectrum Yellow, Ultramarine (Blue), Vandyke Brown, Venetian Red, Yellow Ochre, Zinc White

        Your Price

        S679. 6 Well Rectangular Palette
        6 well Rectangular Palette

        This palette is made of hard white plastic. Contains six wells for mixing paint and gouache. Easily cleaned out and reusable.

        Your Price

        BR43. White Bristle Brushes (pack of 3)
        BR43. White Bristle Brushes (pack of 3)

        Great for mixing gouache or loading ink.

        Choose Flat (sizes 2,4,6) or Round (sizes 1,3,5).

        Your Price

        I84. W&N Gum Arabic: 2.5oz
        Winsor & Newton Gum Arabic.

        Add this binder in gouache to make it more durable and easier to erase pencil guidelines. Add several drops to a bottle of Higgins Eternal for copperplate writing. 2.5oz (75ml) glass bottle.

        I have worked with metallic gouaches for many years. I always add a little more gum Arabic if there are going to be lines to erase, then allow the writing to cure for several hours before erasing. A white vinyl eraser is the gentlest choice for erasing guideline. I avoid guidelines if possible via a light box. -- Don King

        Your Price

        B4254. Art & Craft of Hand Lettering (New Ed) / Cicale
        B4254. The Art & Craft of Hand Lettering by Annie Cicale. Revised 2018. 192pp. 10"x10". Paper

        Annie Cicale is well-known to calligraphers throughout the USA and Canada from the many workshops and classes she has taught for guilds and at many of the summer conferences. The new printing has the same fine alphabets and good instruction, but now with larger reproductions of the historical manuscripts. Exemplars include Foundational, Italic, Roman, Black Letter, Uncial, italic handwriting, pointed pen, brush lettering and ruling pen alphabets. She covers design and includes a generous gallery. Color throughout. Our most highly recommended instructional book for broad-edged calligraphy. Great for classes or self-study.

        Your Price $25.00

        LR22-4. Letter Arts Review Vol.22, No.4
        Letter Arts Review 22-4.

        Mani stones in the Himalayas
          by Annie Cicale
        No layered backgrounds for me, please! Or, how Flemish calligrapher Joke Boudens stays true to her personal beliefs.
          by Lieve Cornil
        Flock of Words & the Cursing Stone: A collaboration between graphic designer Andy Altmann and artists Gordon Young and Russell Coleman
          by Frances Spiegel
        Briefly Noted: An Iraq Memorial
          by Renato Orara
        Opinion: Join the Anti-Fairyist League!
          by Steven Skaggs
        Cover Artist: Barbara Bash

        Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

        Your Price

        BL10.2. Bound & Lettered Vol.10, No.2
        Bound & Lettered Vol.10, No.2

        The Summit Envelopes
          by Cecelia Harris
        Sitting Pretty
          by Gail Stevens
        The Bow Valley Calligraphy Guild
           by Gail Stevens
        Three-Dimensional Designing
          by Julie Gray
        A Golden Proportion
          by Annie Cicale
        Pointed Nibs, Not Just for Copperplate
          by Corinna Taylor
        A Pocketful of Outdoors
          by Carol Rawlings
        Creating a Coptic-Bound Sketchbook with Art Paper
          by Sandy Wagner
        Lettering On the Walls of a Church
          by Holly Monroe
        Using the Linex Lining Guide
          by Carol Henshaw
        Christmas Letters
          by Cate Hibbitt
        Ice Cold Calligraphy
          by Nancy Anderson

        Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

        Your Price

        BL9.4. Bound & Lettered Vol.9, No.4
        Bound & Lettered Vol.9, No. 4

        Star Box
          by Trisha Klus
          by Stan Knight
        Carl Rohrs: Workshop Words
          by Annie Cicale
        Big and Special Pens
          by Corinna Taylor
        Gilding with Instacoll
          by Dan Mooney
        Creating a Double Primary Palette
          by Sandy Wagner
        Pamela Paulsrud: An Artist of the Natural World
        Carol Barton: Pop-up Ambassador
        Katherine Malmsten: A Multimedia Calligrapher
        Jacob's Ladder Book Structure: A Modular Approach
          by Karen Hanmer
        Ink to Paper: Michigan Area Calligraphers

        Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

        Your Price

        BL14.3. Bound & Lettered Vol. 14, No 3
        BL14.3. Bound & Lettered Vol. 14, No 3

        The Power of Words
        by Susan Kapuscinski Gaylord
        Claudia Lee
        Combining Word & Image
        by Annie Cicale
        Kraft Paper Love
        by Carol DuBosch
        Writing on the Wall
        by Rosalee Anderson
        None Walks Alone
        by Jane Ewing
        Writing With A Bent Nib
        by Randall M Hasson & Michael Clark
        New Products: Show-Card Color and Lined Black Paper
        Double-Sided, Two-Color, Cut-Out Book
        by Margaret Beech

        Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

        Your Price

        BL13.4. Bound & Lettered Vol.13, No.4
        BL13.4. Bound & Lettered Vol.13, No.4

        Marking Place: Dorothy Caldwell by Pippa Moore
        An Introduction to Gouache by Colleen Nagel<
        The Accordion and the Book by Peter Thomas
        Creating Dante’s Prayer by Julia Silbermann with Adrianne Proctor
        Heart of the Brush Book Review by Chris McDonald
        Gum Ammoniac Gilding by Jerry Tresser
        Jeff Richards: A Patient Artist by Carol DuBosch
        Learn to Draw Calligraphy Animals Book Review by Nancy Ouchida-Howells

        Pen Angle and Proportion by Annie Cicale
        Journals by Nichol Rauch
        The Virginia Book Exchange by Annie Cicale
        New Products: Ink Cages and New Ziller Colors
        Meander Books by Nancy Penner Dormer

        Look inside this issue (cover, table of contents, selected pages). This is a large file and may take some time to load.

        Your Price

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