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Pat Blair & Victoria Pittman

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Odyssey Conference Class Listing

A2: FLOWERS AND FLOURISHES


Pat Blair Recommended Books
B1915. Ornamental Calligraphy by George J. Becker.
B2503. At Home with Artistic Penwork Book Five, Bird and Design Flourishing, Stephen A. Ziller.
B3344. At Home with Artistic Penwork Book Three, Card Writing by Stephen Ziller.
B3345. Real Pen Work: Self-instruction Manual in Penmanship 1881. Knowles & Maxim. (reprint).
B368. Ames Compendium of Practical and Ornamental Penmanship.
B3173. Florid Victorian Ornament by Karl Klimsch.

Victoria Pittman Recommended Resources
B3335. 300 Art Nouveau Designs and Motifs in Full Color edited by Carol Belanger Grafton.
B3336. Art Nouveau (Dover Pictura) with CD-ROM.
B2973. Flower Painter's Pocket Palette by Elisabeth Harden.
B3060. The Simple Art of Chinese Brush Painting by Qu Lei Lei.
B3334. 100 Flowers by Yang O-shi. 240pp.
New England Trees and Wildflowers by James Kavanagh. Field Guide. (not stocked)
Dictionary of Plant names by Allan Coombs
"The pronunciation, derivation and meaning of botanical names" (I love this little book combining my love of plants and language, a must have book) Out-of-print.
Chinese Flower Painting by Rebecca Yue. Out-of-print.
Flowers of Charles Rennie Mackintosh by Pamela Robertson. Out-of-print.
(there is also a small calendar of CRM flowers out there)
Artist's Photo Reference Flowers by Gary Greene. Out-of-print.

While not directly related to this class, Victoria recommends these books to her students:
B2978. Wabi-Sabi: for Artists, Designers, Poets & Philosophers by Leonard Koren.
Trust the Process by Shaun Mcniff.

FLORALS:
Papers: Graph pad 11x17 (P21); inexpensive smooth layout pad (P10, P11) or drawing pad (not newsprint); (optional) a variety of watercolor paper hot or cold press for use with watercolors (PS42, PS47); 1 sheet of Arches Black Cover stock (PS90); 5 sheets Stonehenge (PS95). We will need the 5 sheets of Stonehenge. Others are optional but bring whatever nice watercolor paper that you like best.
Pens/Pencils/Brushes: ½ inch Automatic pen (N27); ¼ inch Automatic pen (N27) optional; pencil; cheap mixing brushes (BR37); wedged clay shaper (1/2 inch). I'll bring these to share; cheap foam brush 1 inch.
Ink/ Paint: Higgins Eternal black (I08); watercolors (WNxxx) (transparent…several colors); several tubes of acrylic (keep in mind we are doing flowers.)
Misc: Spray bottle/larger size; acrylic gloss medium (I90) liquid not gel; mixing palette (S679, S723); water containers (S731); 1 larger for acrylics like a yogurt container; paper towels; bring short quotation about nature and flower references (magazines, photos, field guides etc…or the real thing!); news¬paper for drying; household sponge.
POINTED PEN:
Pens: Oblique penholder (H48, H50, H51, H52, H60, H61); pointed pen nibs such as Nikko G (N113) or Leonardt Principal (N120) (both of these need a holder that will accommodate their larger size); Hunt 22 (N93) or 56 (N86), or Gillott 303 (N72) or 404 (N74).
Ink: Moon Palace (I70) or McCaffrey's Penman's Ink (I37); black and favorite colors of gouache (WNGxxx).
Paper: When combining penwork with watercolor, hot press watercol¬or paper (PS42, PS47) is recommended, several sheets. Stonehenge also works (PS95). Marker layout pad for practice, such as Canson Pro Marker (P32-9) or Boris (P10), no larger than 10 x 14".
Materials fee: $7


P21. JNB Graph Pad 11x17, 50 Sheets
JNB Graph Pad
Light blue grid (8 squares/inch). 24 lb bond. 11"x17". Approx. 50 sheets.

A non-bleeding paper that is great for calligraphy. (We use the same paper in our JNB Practice Pads.) Many instructors have their students use this pad in their classes.

(For graph with slant lines P01.)

Please choose color: Light or Dark.

Light: This grid does not show on many copiers, shows faintly on others, and usually disappears when you adjust the exposure one setting lighter. If you use a copier to produce your finished art for reproduction, this is the pad for you. This pad is good for jobs done at quick printers.

Dark: For classes, some students may appreciate a slightly darker grid. This is particularly true for adult classes. This is still a light blue grid. Some teachers have commented that their students found the original pad's grid was too light.




Options:
Your Price

PS47. Arches WC HP 140LB 22x30
Arches Watercolor
Hot Press 140lb. 300gsm. 22"x30".

Superior quality, 100% rag, for pen and all techniques with opaque and transparent watercolor. Long used by calligraphers. HP (Hot press) finish is a very smooth sheet that will give a sharp smooth edge to your letters. Cold press watercolor paper can be used for calligraphy, but the letters won't be as crisp. You will see the cold press texture in your lettering. This has always been one of our most popular sheets.

Grain runs parallel to the underlined dimension.

This paper ships separately from books/supplies and requires an extra shipping fee which is NOT included in the price of this product. Add item 'PS00' to your cart after adding large sheets of paper. (click to read details)




Your Price $15.98

PS90. Arches Cover Paper Black
Arches Cover Black
22"x30". 250gsm. Mouldmade in France. 100% cotton. pH neutral, lightly sized, textured surface. 4 deckles. Black.

Laurie Doctor and others recommend this sheet for book and portfolio covers. It folds without cracking. Judy Melvin likes it for her calligraphic painting - however this is NOT the Arches Black that will bleach correctly. When bleach is applied to this new version the paper turns pink (salmon). Grain direction is parallel to underlined dimension.

This paper ships separately from books/supplies and requires an extra shipping fee which is NOT included in the price of this product. Add item 'PS00' to your cart after adding large sheets of paper. (click to read details)




Your Price $13.70

PS95. Stonehenge
Stonehenge. 22"x30" 100% cotton, pH neutral, 2 natural deckles, 2 cut edges. 250gsm.

Good for calligraphy, watercolor, colored pencil, and pastels. Machine made. USA. Grain direction is parallel to underlined dimension.
Choose color: Black, Cream or White.


This paper ships separately from books/supplies and requires an extra shipping fee which is NOT included in the price of this product. Add item 'PS00' to your cart after adding large sheets of paper. (click to read details)




Options:
Your Price $6.06

BR37. Silverwhite Brush: Brights
Silverwhite Bright. Short handle.

Limited Stock

A blend of soft white taklon filaments (synthetic) tapered to hold a sharp edge. Has a nice spring and decent color capacity. Short, polished, white-tipped silver handles and seamless nickel ferrules. Use for mixing, painting, brush lettering, or loading your pen. Suitable for water-based media including acrylics, watercolor, gouache, inks, dyes & tempera.

Bright, Size 1 2.5 mm
Bright, Size 2 3 mm
Bright, Size 4 4mm
Bright, Size 6 5 mm
Bright, Size 8 8 mm
Bright, Size 10 15mm




Options:
Your Price $4.80

I08. Higgins Eternal Ink
I08. Higgins Eternal Ink.

A non-waterproof, carbon black ink for dip pens. Our most popular ink for classes. Recommended for copperplate (add a few drops of gum arabic). Perhaps the best ink for calligraphy for a beginner; it will cause the beginner the fewest problems. This ink will bleed more readily than other inks. If bleeding is a problem, try Sumi Inks. 2.5 oz.

Quantity discounts start at 6 & 12.

"For broad-pen writing, I add gouache to Higgins Eternal. Gouache gives Eternal some needed body. It doesn't necessarily have to be black gouache. Indigo or a dark red add an interesting hue to the result. In a quarter ounce of Eternal, I add about a 3/8-inch bead of gouache from a tube. Eternal doesn't give me the hairlines I want in pointed pen work, so for that I much prefer iron gall or walnut ink". - Bob Hurford




Your Price $5.75

H51. Century Oblique Penholder
Century Oblique Holder

These gorgeous turned wood pen holders have a metal flange. They are made to hold the Nikko G and similar sized nibs. They can be adjusted with needle nosed pliers to fit other nibs. Wood Penholder. Wood color varies.

If you would like to purchase a holder that is fitted for a different sized nib, please see item number H53.



Your Price

H61. Blackwell Plastic Handle Oblique Holder
Blackwell Oblique Pen Holder Plastic Handle

Black plastic hourglass penholder with the same brass flange for holding the nibs. The brass work is not as finely finished but is just as functional. Works with small nibs such as the Brause 66EF and almost all other nibs.

A remarkably simple design that holds most pen points for
Spencerian and Copperplate. Designed to hold the nib at a less steep slant angle for ease of upstrokes. Also available with a brass and wood handle.

(Works with most all nibs except the very largest vintage nibs and crowquill nibs.)



Your Price

N113. Nikko G Nib
N113. Nikko G Nib.

These nibs from Japan are hand cut, extremely smooth, and long-lasting. They are chrome plated and have a medium flex. Great for Spencerian. Smooth writing with no burrs or scratchiness. Highly recommended by Michael Sull.



Your Price

N120. Leonardt Principal EF Nib
N120.EF Principal Nib

You can now purchase a modern nib that is equal to the best of the vintage nibs. Brian Walker, a respected pointed pen enthusiast, has worked with a pen manufacturer to duplicate the quality and performance of the legendary Gillott No 1 Principality. The new nib has received rave reviews for both Copperplate and Spencerian. It's flexible and responsive and gives fine hairlines, but is smooth-writing and catches the paper less.





Your Price $2.95

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