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Mike Gold

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Odyssey Conference Class Listing

C6 CONTEMPORARY SCRIPTS


Design with Type, Carl Dair. Out-of print.
B2614. Codici by Thomas Ingmire.
Lettering as Drawing, Nicolete Gray. Out-of-print.
B2783. The Calligraphic Line by Hans Joachim-Burgert.
B2917. Textasy by Brody Neuenschwander.
Characters with Character, John Stevens (and his two other little gems). Unfortunately all are out of print and not available.
B2132. Calligraphy by Claude Mediavilla.
B2895. Handwritten: Expressive Lettering in the Digital Age by Steven Heller & Mirko Ilic.
B3022. Hand Job by Michael Perry. A book of hand drawn alphabets and typefaces.

Writing tools: (don't buy new; bring what you have) Pentel Color Brush pen (FP57) with black ink cartridge; pointed brushes– Winsor New¬ton Series 7 (BR28) 1, 3, 5; oriental brushes; misc. brushes you like; assortment of pointed and broad pens, Recommend: Mitchell (N04) 3, 4, 5, 6, flexible and stiff pointed nibs, Speedball (N09) C-1 through C-5, Automatic pens (N27), medium to wide.
Ink/Paint: Higgins Eternal (I08) and/or Sumi ink (I70) and/or Walnut ink (S449); assortment of gouache (WNGxxx), plus black and white; color inks (such as Dr. Martin¹s Tech inks, non-acrylic.)
Misc: Pencil, ruler (S270, S271), eraser (E09), X-acto (S621, S662), mixing brushes, water jar, apron. Favorite quotes or passages (if you wish.) I will supply paper, but you are welcome to bring favorites with you.
Materials fee: $10


B2614. Codici 1/Ingmire
Codici 1.
Edited by Thomas Ingmire. 2003. 64pp. 8.5"x11". Paper.

Ingmire is best known for his expressive -- and often
non-legible -- calligraphic works. This illustrated notebook
draws primarily from Ingmire's teaching. It presents the assignments, support materials, the works created by the students, as well as images and brief discussions of his own recent works that relate to the program. Topics include inventing new forms, lettering as drawing, the expressive line, the shape and space of writing, the word as image, Hans-Joachim Burgert: the calligraphic line, the space of
writing: the ditchling project. The emphasis is on a visual rather than a verbal message.



Your Price

B2783. Calligraphic Line / Burgert
The Calligraphic Line: Thoughts on the Art of Writing
By Hans-Joachim Burgert. 2nd edition. Translated by Brody Neuenschwander. (1989) 2002. Approx. 177pp. 8.5"x11". Paper Spiral.



Presents Burgert's perspective on the role of form and function in calligraphy and writing, the history of the graphic form (symbol/writing/calligraphy), the need and development of cursive writing and alphabets. The second section presents Burgert's thoughts on the place of calligraphy in the Western world after the invention of printing from type and its relationship to type. Note that this is a photocopy reproduction. The quality of the illustrations vary, but all are photocopies.



If pg.60 of your copy is blank, see a pdf of the illustrations.



Your Price

B2132. Calligraphy / Mediavilla
Calligraphy: From Calligraphy to Abstract Painting
By Claude Mediavilla. 1996. 336 pp. 10" x 13". Hardcover.

An encyclopedic treatment of calligraphy: tools and materials, the history of writing & script, the historical hands (Roman caps, rustic, Roman cursive, uncial, Carolingian, gothic scripts, Renaissance writing styles - including 22 model alphabets with ductus), the writing masters, the 20th-century calligraphic revival and calligraphy & abstract painting. 490 illustrations, 200 in color. Full of color illustrations from historical sources and from contemporary scribes. It is also full of Mediavilla's work which is seldom seen in the USA. Worth the price.



Your Price

FP57. Pentel Color Brush
Pentel Art Brush

Much sought after. For brush lettering. Medium. Specify color: Light Green, Turquoise, Olive Green, Pale Orange, Steel Blue, Gray, Orange, Sepia, Purple, Black, Red, Blue, Green, Yellow, Brown, Pink, Sky Blue, Yellow-Orange.

FP 57. Pentel Color Brush color chart





Options:
Your Price $8.75

BR28. W&N Series #7 Watercolor Brush
Series 7 fulfills the essential qualities that define the finest watercolor brush for artists: Point: The brush comes to a crisp point which is maintained during use. Snap & Spring: The brush snaps crisply back into shape with the right degree of spring to allow the artist superior control between the brush and painting surface. Flow Control: The color flows evenly and consistently from the point, with enough color carrying capacity in the belly of the brush to allow flowing gestural strokes. For artists who appreciate exquisite quality and longevity, there is no other brush than the Series 7. Today, just as in 1866, the Series 7 is made for those who understand that the quality of the brush will be reflected in the quality of their work.

#000.
#00.
#0.
#1.
#2.
#3.
#4.
#5.
#6.
#7.
#8.
#9.
#10.




Options:
Your Price $18.99

N04. Mitchell Nibs (Round Hand)
Mitchell Rexel Round Hand Nibs
Straight cut. Sizes 0(3.3mm), 1(3mm), 1-1/2(2.5mm),
2(2.3mm), 2-1/2(1.8mm), 3(1.4mm), 3-1/2(1mm),
4(0.9mm), 5(.75mm), 6(.6mm).

Flexible calligraphy nibs from England. Straight cut. Reservoirs are purchased separately. Though they are called Round Hand, these chisel edge nibs are good for many alphabets including Carolingian, Italic, Uncials, Gothic, Foundational Hand, and Roman Caps. Used by professional calligraphers with and without the reservoirs. Some beginners may have trouble with the flexibility. One of our most popular nibs for calligraphy. Give them a try.

See N05 for Left Hand Mitchell Nibs.




Options:
Your Price $1.45

N09. Speedball C Calligraphy Nibs
American calligraphy nibs for Italic, Blackletter (Gothic, Old English), Uncial, Half Uncial, Foundational and many other hands or alphabets. C-0, C-1, C-2, C-3, C-4, C-5, C-6. C-0 is largest, C-6 is smallest. Best in larger sizes. C-2, C-3, & C-4 are popular for beginners' classes. They rust easily so let them dry thoroughly before storing them away. Speedball C Calligraphy Nibs.

For more information about Speedball C nibs, click here.




Options:
Your Price

I08. Higgins Eternal Ink
I08. Higgins Eternal Ink.

A non-waterproof, carbon black ink for dip pens. Our most popular ink for classes. Recommended for copperplate (add a few drops of gum arabic). Perhaps the best ink for calligraphy for a beginner; it will cause the beginner the fewest problems. This ink will bleed more readily than other inks. If bleeding is a problem, try Sumi Inks. 2.5 oz.

Quantity discounts start at 6 & 12.

"For broad-pen writing, I add gouache to Higgins Eternal. Gouache gives Eternal some needed body. It doesn't necessarily have to be black gouache. Indigo or a dark red add an interesting hue to the result. In a quarter ounce of Eternal, I add about a 3/8-inch bead of gouache from a tube. Eternal doesn't give me the hairlines I want in pointed pen work, so for that I much prefer iron gall or walnut ink". - Bob Hurford




Your Price $5.75

I70. Moon Palace Sumi Ink
Moon Palace Sumi
The Ink is now in a bottle with a Gold Label

While the packaging is a bit different, this is the highly sought after and highly recommended Japanese Sumi Ink. For both broad edge and pointed pen work. Dries waterproof. A great calligraphy ink.

"I like Moon Palace better, but both Moon Palace and Best Bottle are beautiful inks. The Moon Palace has a slight sheen to it, which I like. Michael suggested this ink to me so please tell him I said, "thank you". I just finished a job of 200 invitations with Moon Palace and the ink is beautiful. I did not dilute the ink.
A client just brought me invitations (slick paper) to address. This bride knew going into this that I probably couldn't do pointed pen. However, for fun, I tried the Sumi inks and to my surprise they worked pretty darn good. I usually have to use a sharpie on slick envelopes, yikes!!!"

--Clair F., Jan 2011.

Four sizes available:

2.0 oz (widemouthed jar)
6.0 oz (180ml)

15 & 60 oz are temporarily unavailable: arriving Dec 2019




Options:
Your Price

S270. Metal Ruler:12in
S270. Stainless Steel Ruler 12"

Flexible, cork back.



Your Price

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