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Carl Rohrs


CARL ROHRS

Everything & The Kitchen Sink

A11 ALL LEVELS Monday - Saturday

A11 SUPPLY LIST:

Carl will send a detailed supply list to those who are registered for his class. There will be flat and pointed brushes (BR01, BR24), ruling pens (N22, N30), inks (I70, I08) and gouache (WNG331); various papers– charcoal, marbled & patterned; and a laptop computer with any version of Photoshop installed for the optional part of this class. There are many supplies you could bring, but they are not the most important part of the class. He welcomes questions. A full listing of supplies will also be posted on the website.

 



LR13-1. Letter Arts Review Vol.13, No.1
Letter Arts Review Volume 13 No. 1.

Rudolf Koch: Life, Craft, and Art
  by Lili Wronker, Fritz Kredel, Tom Greensfelder
The Arabian Nights: The Story of an Exhibition
  by Monica Dengo
Calligraphy is Alive and Well in Western Australia
  by Margaret Heenan
Shuktara: Bangladesh's Bright Morning Star
  by Elizabeth McKee
Foundations of Calligraphy: Part 5 Loosening up Black Letter by Exploring Gothic Cursives
  by Shiela Waters
Book Reviews: Irish Type Design: A History of Printing Types in the Irish Character
Thinking in Script: A Letter from Edward Johnston to Paul Standard
Calligraphy School: A Step-by-Step Guide to the Fine Art of Lettering
Schreibschriften and Kalligraphie
Cover Artist: Rudolf Koch



Your Price

B1000. Schriftkunst - Letter Art/Hoefer
B1000. Schriftkunst/Letterart
By Karlgeorg Hoefer. 1989. 95pp. 8"x8.5". Hardcover.

A collection of articles on Hoefer and his calligraphy and type design by Hermann Zapf, Dieter Leitner, Larry Brady, Gottfried Pott, Sheila Waters and others. Over 45 illustrations, most full page, of his calligraphy and type designs. 11 in full color. Hoefer is a master of the brush letter. Text in German and English. Edition of 1800. From Germany. Finely printed.




Your Price $33.50

B3796. What Our Lettering Needs
What Our Lettering Needs: The Contribution of Hermann Zapf to Calligraphy & Type Design at Hallmark Cards by Rick Cusick. 2012. 136pp. 6.75"x10". Paper

A thorough account of Hermann Zapf's contributions to the calligraphic and typographic artistry of Hallmark Cards. The Hallmark/Zapf association is a now fully blended into the company's rich heritage in the lettering arts. This beautifully illustrated book is a tribute to Zapf's own philosophy that the artist's challenge is "to ensure, despite technology and mass production, that beauty is never lost." Printed in color on Mohawk superfine. Rick Cusick presently oversees the design and development of proprietary fonts for Hallmark Cards. He is also a respected designer, calligrapher, and teacher working with the University of Kansas in developing lectures and curriculum for lettering, typography, and type design.



Your Price

BR01. W&N 995 Chisel Lettering Brush
Chisel Edged Lettering Brush

The standard brush recommended by John Stevens, Carl Rohrs and other instructors for chisel-edged alphabets. Golden nylon flat watercolor brush with seamless nickel ferrules and clear plastic handle. Durable and responsive.
Winsor and Newton Series 995 flat watercolor brush.

Choose from three sizes:

½"
¾"
1"

Change size selector to see sale prices.




Options:
Your Price $20.29

N22. Ruling Pen
N22. Ruling Pen.

Julian Waters, Gottfried Pott, and many others are using ruling pens to produce expressive letters. This calligraphy ruling pen is designed specifically for lettering. You vary the line width by tilting the pen. Wood handle with brass collar & writing unit.



Your Price

N30. Folded Ruling Pen
Folded Ruling Pen

Introduced at Letterforum in 1995, this innovative lettering tool has been popular ever since. Use it to produce tight "brush lettering" with a pen or for wild, fun, expressive lettering. These are the originals made by Matthew Coffin and highly praised by Carl Rohrs and Peter Thornton as superior to others that are available.

Peter Thornton has his students use our Polishing Paper (S107) to lightly abrade the outer and inner surfaces of the Folded Pen. This allows the ink to spread out on the pen instead of beading up.




Your Price

I70. Moon Palace Sumi Ink
Moon Palace Sumi
The Ink is now in a bottle with a Gold Label

While the packaging is a bit different, this is the highly sought after and highly recommended Japanese Sumi Ink. For both broad edge and pointed pen work. Dries waterproof. A great calligraphy ink.

"I like Moon Palace better, but both Moon Palace and Best Bottle are beautiful inks. The Moon Palace has a slight sheen to it, which I like. Michael suggested this ink to me so please tell him I said, "thank you". I just finished a job of 200 invitations with Moon Palace and the ink is beautiful. I did not dilute the ink.
A client just brought me invitations (slick paper) to address. This bride knew going into this that I probably couldn't do pointed pen. However, for fun, I tried the Sumi inks and to my surprise they worked pretty darn good. I usually have to use a sharpie on slick envelopes, yikes!!!"

--Clair F., Jan 2011.

Four sizes available:

2.0 oz (widemouthed jar)
6.0 oz (180ml)

15 & 60 oz are temporarily unavailable: arriving Dec 2019




Options:
Your Price

I08. Higgins Eternal Ink
I08. Higgins Eternal Ink.

A non-waterproof, carbon black ink for dip pens. Our most popular ink for classes. Recommended for copperplate (add a few drops of gum arabic). Perhaps the best ink for calligraphy for a beginner; it will cause the beginner the fewest problems. This ink will bleed more readily than other inks. If bleeding is a problem, try Sumi Inks. 2.5 oz.

Quantity discounts start at 6 & 12.

"For broad-pen writing, I add gouache to Higgins Eternal. Gouache gives Eternal some needed body. It doesn't necessarily have to be black gouache. Indigo or a dark red add an interesting hue to the result. In a quarter ounce of Eternal, I add about a 3/8-inch bead of gouache from a tube. Eternal doesn't give me the hairlines I want in pointed pen work, so for that I much prefer iron gall or walnut ink". - Bob Hurford




Your Price $5.75

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