John Neal Bookseller
order tracking  |  my account  |  view cart:  0 item(s)   $0.00
1-800-369-9598 (USA)  
space
catalog, supplement
space
space
facebook instagram pintrest twitter
space
space
arrow John Neal Bookseller
  Tools & Materials
  Bookbinding Supplies
space
  Calligraphy & Illumination
space
  Books/Videos
  Bookbinding / Book Arts
space
  Calligraphy
space
  Illumination
space
  Type
space
  More Books
space
  New and Sale Items
  Big Book Sale
space
  Clearance Items
space
  New Books & DVDs
space
  New Tools & Materials
space
  More Items
  Art
space
  Apparel
space
  Gift Certificate
space
  Instructor Book/Supply Lists
  Calligraphy Teachers
space
  Guilds
space
  Conferences/Retreats
space
  Online Classes
space
space
space
arrow Letter Arts Review
  Subscriptions
  Current Issue
  Special Issues
  Annual Juried Issues
  LAR Call for Entries -- 2019
  All Back Issues
  Mailing Schedule
  Wholesale
  Advertising
space
space
arrow Bound & Lettered
  Subscriptions
  Current Issue
  All Back Issues
  Mailing Schedule
  Wholesale
  Advertising
  Online Articles from B&L
space
space
arrow Calligraphy & Bookbinding Events
space
space
arrow Pointed Pen Specials
space
space
arrow LAR Call for Entries -- 2019
space
space
arrow More Information
Product Help
View PDF Catalog
Request a Catalog
Shipping Info (USA/Overseas)
Payments Accepted
Subscribe to E-Newsletter
Edit Account Info
Teacher Info
Group/Guild Sales
Our Blog
Calligraphy and Bookbinding Events
Contact Us

Jake Weidmann

1  2 

FLOURISHING IN THE STYLE OF F.B. COURTNEY – Jake Weidmann This class is an advanced look at flourishing through the lens of one of the greatest masters of this art form—F.B. Courtney. Weidmann will lead you through the composition, style, execution, and lively whims of this old master. Within the historical and biographical context of this class you shall find how one man rose above the rest and why his art flourished through history. Weidmann will present a new way to look at Courtney's work and show you that by following his strokes, you will discover his genius. Skill Level: Intermediate/Advanced
Supplies: (Note: I have listed multiple options for some items, which students can choose from. You are not required to bring all options to the class.) Pencil (PL03), White Paper (Hammermill 28lb color copy paper OR Clairefontaine (P36) OR Rhodia (P53)), Black Paper (Strathmore Artagain pad, 400 series (P58) ), Straight Penholder (H62, H63), Oblique Penholder (H95, H50, H61), Flexible Pen points of your choice (i.e. Leonardt Principle EF (N120) or Gillott 303 (N72) or Zebra G (N118)), Black Ink (Your choice of Iron Gall or Sumi (I37, I116, I70)), White Ink (I38) (Dr. Martin's Bleedproof White), Paper Towels, Tooth paste (for prepping nibs),Water, Damping dish or empty ink well for mixing (S620, S802, S803), stir sticks.


P36. Clairefontaine Blank Pad (Unlined)
Clairefontaine Writing Pad

Triomphe. Paper is bright white, extra smooth, pH neutral paper, 24lb/90gsm (sheets 26lb/100gsm), 8.25"x11.75". Blank. Pad of 50 sheets. From France. Recommended by Michael Sull for Spencerian and Off-Hand Flourishing.



Your Price

P53. Rhodia Blank Pad (Unlined)
P53. Rhodia Blank Pad (Unlined).
Blank Sheets. 8.25"x11.5" (Sheet Size). Black Cover.

Highly recommended for pointed pen work. Non-bleeding, bright white, smooth satin finish, 80gsm (22lb), acid-free, pH neutral paper. Micro-perforated to provide a clean edge when you tear out the sheet. The pad is staple bound. 80 sheets.

Also available as Lined Pad (P54) and Graph Pads (P55, P56).




Your Price

P58. Black Artagain Pad
Black Artagain Drawing Paper Pad.

Ideally suited for soft pastels and charcoal, also very popular for pointed pen. Use gel roller pens, metallic gouache or opaque white ink for dramatic effects. Acid-free, medium weight (60lb, 160gsm), and fairly smooth. Made with 30% post-consumer fiber. Judy Melvin recommends this paper for her "Bleach & Pastels" technique described in Art Expose. Unlike the current Arches Cover Black, this paper bleaches to light color. From Strathmore, 24 sheets.

Specify Size:
9"x12"
12"x18"

Also available with Assorted Colors, see item P84.




Options:
Your Price $17.59

H62. Mahogany Pen Holder
Straight wood calligraphy penholder.

How do I insert a calligraphy nib into a penholder that has a metal ring and four prongs?



Your Price

H63. Marbled Pen Holder
H63. Marbled Pen Holder.

Beautiful penholders in gold & black, silver & black, gold with multicolors, and the newest: Multicolor (with swirls of red, blue, green, and yellow). Approx. 5/16" diameter at the nib end and 6-7/8" long. Standard metal nib gripper.

How do I insert a calligraphy nib into a penholder that has a metal ring and four prongs?




Options:
Your Price $3.75

H61. Blackwell Plastic Handle Oblique Holder
Blackwell Oblique Pen Holder Plastic Handle

Black plastic hourglass penholder with the same brass flange for holding the nibs. The brass work is not as finely finished but is just as functional. Works with small nibs such as the Brause 66EF and almost all other nibs.

A remarkably simple design that holds most pen points for
Spencerian and Copperplate. Designed to hold the nib at a less steep slant angle for ease of upstrokes. Also available with a brass and wood handle.

(Works with most all nibs except the very largest vintage nibs and crowquill nibs.)



Your Price

N120. Leonardt Principal EF Nib
N120.EF Principal Nib

You can now purchase a modern nib that is equal to the best of the vintage nibs. Brian Walker, a respected pointed pen enthusiast, has worked with a pen manufacturer to duplicate the quality and performance of the legendary Gillott No 1 Principality. The new nib has received rave reviews for both Copperplate and Spencerian. It's flexible and responsive and gives fine hairlines, but is smooth-writing and catches the paper less.





Your Price $2.95

N72. Gillott 303 Nib
N72. Gillott 303 Pointed Nib.

A popular nib for Copperplate. Good flexibility - not too stiff, not too flexible. Very thin hairlines and good swells. Works for scripts 3/16-1/16". Sharp point but will work on slightly textured surfaces. Tends to catch on upstrokes.





Your Price $1.19

N118. Zebra G Nib
Zebra Nib.

Similar to the popular Nikko G Nib, but a little more flexible and sharper. It will produce a finer hairline than the Nikko. Same sturdy quality. If you are using the Nikko G but would like to be able to write with thinner hairlines and thicker strokes, give these nibs a try. Michael Sull still recommends the Nikko G nib as best for learning Spencerian, but this Zebra G Nib is a good one, too, for Spencerian.

Which holders will work with this nib?
https://www.johnnealbooks.com/product_help#Zebra

Just wanted to let you know about my experience with the ZEBRA G nibs: Santa was very generous to me this year and I got a dozen. I pulled the nibs out to play with this weekend and I have found my new love. I used the nib with Walnut Ink and the hairlines, so thin, so smooth, with a light touch and the nib skated effortlessly across the page. I really enjoyed working with this nib. If you haven't had the chance to try this nib out yet, it's worth the couple of bucks. I haven't tried any of my other inks, but I will be doing that this week. So far, I'm loving these nibs. Don't know if they are workhorses yet - I only had them a few days. - Ilovepenmanship

I love them too. The nibs are great with the iron gall inks because the ink does not eat the nib as fast. Great hairlines and just enough flex for shades. Much thanks to John Neal for these!!! - Nan DeLuca



Your Price

I116. Old World Oak Gall Ink
An oak gall ink made with period recipes and materials including oak galls, iron salts, logwood dyes and acacia gum (Gum Arabic). Oak gall ink was used for many medieval manuscripts and is very popular today for Spencerian and Copperplate. For paper and vellum. Dries waterproof. 2 oz bottle.

This ink can be reconstituted using distilled water and letting it sit overnight. Then stir well and break up any solids.

Old World Ink Product Help: https://www.johnnealbooks.com/product_help#Oldworld

"It is really nice and darker than regular iron gall ink." - Nan DeLuca.

"This ink is terrific! Smooth off the pen, it is jet black with hairlines as fine as any penman could want." - Bob Hurford




Your Price

1  2 
  © John Neal Bookseller · 1833 Spring Garden Street, First Floor · Greensboro · NC 27403 · USA
contact info