B4029. Irish Hand, The / O'Neill B4029. The Irish Hand: Scribes and their Manuscripts from the Earliest Times by Timothy O'Neill. 2014. 148pp. Approx. 11.75"x 9.25". Hardcover
This revised and expanded edition has high quality, full-color digital images of the works of Irish scribes throughout the centuries. (The original edition was in black & white.) The first part is a survey of the manuscript tradition, followed by essays and full-page images for thirty-one of the great books of Ireland. The context, contents, and history of each manuscript are given, accompanied by a full-page illustration. The second part surveys the work of the scribes from a practical perspective, examining script and lettering in detail. Extracts are given from fifty-two manuscripts, transliterated and translated, with a commentary on the pen work. The Irish Hand covers 1,500 years of Irish script and letter design from the sixth to the twenty-first centuries.
B4095. Illumination: Gold and Colour / Lovett B4095. Illumination: Gold and Colour by Patrica Lovett. 2015. 164pp. 8.25"x8.25". Paper
A practical guide to the use of gold and color, both for easy and quick projects using basic materials, and for more involved projects with vellum and parchment, quills, color, gold, and gesso. All lead up to a presentation of the step-by-step stages in gilding and painting a medieval miniature. Instruction boxes make the processes easy to see and follow.
introduces the tools and materials and demonstrates them to us in a variety of projects, from easy to more challenging. Techniques are carefully explained in step-by-step processes, and there are clear explanations of what to do if things go wrong. Although traditional methods and materials are included, modern adhesives, tools, and materials are also considered for those who prefer a quicker result. USA & Canada: This PAL format DVD will play on your computer but not on your DVD player.
introduces the tools and materials and demonstrates them to us in a variety of projects, from easy to more challenging. Techniques are carefully explained in step-by-step processes, and there are clear explanations of what to do if things go wrong. Although traditional methods and materials are included, modern adhesives, tools, and materials are also considered for those who prefer a quicker result.
B4120. Beginning Illumination: Learning the Ancient Art / Travers B4120. Beginning Illumination: Learning the Ancient Art, Step by Step by Claire Travers. 2016. 80pp. 8.5"x11". Hardcover
This photo-filled guide offers you all the information you need to begin the fascinating ancient art of illumination and then to improve your skills. It starts with a short history of illumination with photos from medieval masterpieces, then you're introduced to the materials and basic techniques. You learn the proper ways of preparing vellum, selecting pigments, gilding, and using color. Next, the steps of illuminating are clearly taught in detail, step by step. Discusses borders, human faces, flourishes, dragons and other creatures, and much more.
SD15. Italic Letters/Dubay & Getty Italic Letters: Calligraphy & Handwriting
By Inga Dubay & Barbara Getty. 1984.(1992) 128pp. 8.5"x11". Paper.
Bottom of spine is bent, interior pages also bent but nothing that damages the text.
Takes the scribe through a basic, a formal, a chancery & finally a cursive italic handwriting. Each is introduced in monoline, followed then by chisel edged forms. Final chapter on layout and design. In this workbook, the sentences-to-copy form an outline history of written communications from cave paintings to 19th century copperplate. Numerous historical illustrations.Western American style of italic.A popular class text. Recommended.
B4145. Illuminated Letters Sketchbook / Sullivan B4145. Illuminated Letters Sketchbook by Jane Sullivan. 2016. 160pp. 6.3"x8.5". Hardcover
Learn how to illuminate your writing like the scribes of the past! Bring letters to life with plant and animal motifs, swirling vines and leaves, graceful arabesques and flourishes, fantastical imagery, and more. Draw creatures cavorting across the page as Gothic illuminators did, or create the knotwork seen in famous Celtic manuscripts. Step-by-step tutorials, tips for creating striking effects, and blank letterforms you can illuminate yourself make this the perfect modern-day guide to the medieval art of beautiful writing. The book contains space on pages for the artist to create their own letters right inside the book (the pages are printed with a light blue graph).
Includes an elegant spring-green ribbon bookmark with which to keep your place.
B4161. All That Glisters / CLAS All that Glisters. 2012. 100pp. 7.5"x7.5". Paper
This beautiful catalog of CLAS’s Living Letters IV exhibition features a juried selection of 96 works from nearly 60 scribes, including multiple works from Paul Eccles, Gaynor Goffe, Marlene Gray, David Harris, Dee Howley Gibbs, Lin Kerr, Susie Leiper, Linda Lewis, Patricia Lovett, Marion McKenzie, Janet Mehigan, Margaret Morgan, Timothy Noad, Mary Noble, Nancy Ouchida-Howells,Tom Perkins, Jan Pickett, Katharina Pieper, Alan Quincey, Jan Sambell, Cathy Staples, and Jan Turner. The works follow the title theme using gold leaf and color and/or text that refers to gold, the sun, light, and the like. There are both traditional and contemporary pieces and done with pens, brushes, and chisels.