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Showing 1 - 4 out of 4 total matches:
I160. Fox and Quills Inks (small batch)
I160. Fox & Quills Inks (small batch)

These hand-mixed, small batch inks are smooth as silk and write like a dream. You can achieve superfine hairlines. The five iron gall inks from Fox & Quills have a higher pH (less acid) than standard iron galls so your nibs won't corrode as quickly. 30ml (1oz) glass bottle.

Beetle Juice Iron Gall Ink. Iron gall ink with added Cochineal, making it a warm reddish/black color.

Iron Throne Iron Gall Ink. Iron gall ink with Indigo added to make a deep black with bluish overtone.

Peacock Iron Gall Ink. A fortuitous mix of 15% Iron Gall Ink and 85% pigment ink for a deep blue-green hue that is quite opaque.

Balsamic Red Iron Gall Ink. A daring mix of 20% Iron Gall Ink and 80% pigment ink for a dark, brownish red.

Elephant Gray Iron Gall Ink. Iron gall ink that deepens to a rich gray when dry.

Bali Hai Blue-Green. Pigment-based water-soluble gloss pigment ink.

Emerald Green. Pigment-based translucent ink. Best for white papers.

Purple Rain. Pigment-based ink. Color varies from translucent purple to a dark purple gray depending on the paper.

See also: SA-I160 Fox & Quills Ink Sampler.



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SA-I160. Fox & Quills Ink Sampler
SA-I160. Fox and Quills Ink Sampler

Sampler Set 1- contains one of each of the following Fox and Quills small batch inks: Beetle Juice, Iron Throne, Peacock, and Balsamic Red. 1/2-oz jars.

Sampler Set 2- contains one of each of the following Fox and Quills small batch inks: Elephant Gray, Bali-Hai, Emerald Green, and Purple Rain. 1/2-oz jars.

These hand-mixed, small batch inks are smooth as silk and write like a dream. You can achieve superfine hairlines. The iron gall inks from Fox & Quills have a higher pH (less acid) than standard iron galls so your nibs won't corrode as quickly. 30ml (1oz) glass bottle.




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B4283. Calligraphic Drawing / Loong
B4283. Calligraphic Drawing: A How-to Guide and Gallery Exploring the Art of the Flourish by Schin Loong. 2018. 128pp. 8.5"x11". Paper

The book starts with tools, materials, and basic stokes, and includes instruction for the traditional birds and for the feather quill. But the special part of the book comes next, with exercises on creating light and dark textures in irregular shapes and how to use this knowledge, along with step-by-step instruction, to create more animals: crane, rooster, jellyfish, goldfish, peacock, parrot, owl, raccoon, elephant, puppy, rabbit, fox, zebra. Flourished banners and cartouches and adding lettering to your flourished animals are also covered. The text and how-to's move from the simplest to the most challenging designs, with examples to inspire you.




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BL16.3. Bound & Lettered. Vol. 16, No. 3.
Bound & Lettered. Vol. 16, No. 3.

Explorations of a Calligrapher
by Alice Young
Family Trees
by Holly V. Monroe
Calzolari / Gironi
Jacqueline Svaren: Teaching and Writing Letters
by Christine Colasurdo
Written Letters
Chris Wright: Letters with Purpose
by Dano Keeney
A Series of Genizah Books
by Anita Bigelow
Taking Bister Inks for a Test Write
by Carol DuBosch
Making Corrections in Calligraphy
by Carol DuBosch
Genizah Book: Basic Structure
by Anita Bigelow
Fox & Quills Inks
by Suzanne Cunningham and Rebecca Orr

Look inside this issue (cover, table of contents, selected pages).



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