I154. McCaffery's Prairie Night Black Ink I154. McCaffery's Prairie Night Black Ink.
This carbon-based ink was designed for creating artwork for items that will be printed, such as wedding invitations. The pen strokes are densely black, and the hairlines are moderately fine (the extremely fine hairlines of gall ink don’t reproduce well in printing). Because it dries quickly, it is also good for envelope work. The ink goes on black and dries with a light sheen. Thins easily with water. It could become your go-to ink for difficult papers. 1 oz, wide-mouth, glass jar.
A non-waterproof, carbon black ink for dip pens. Our most popular ink for classes. Recommended for copperplate (add a few drops of gum arabic). Perhaps the best ink for calligraphy for a beginner; it will cause the beginner the fewest problems. This ink will bleed more readily than other inks. If bleeding is a problem, try Sumi Inks. 2.5 oz.
Quantity discounts start at 6 & 12.
"For broad-pen writing, I add gouache to Higgins Eternal. Gouache gives Eternal some needed body. It doesn't necessarily have to be black gouache. Indigo or a dark red add an interesting hue to the result. In a quarter ounce of Eternal, I add about a 3/8-inch bead of gouache from a tube. Eternal doesn't give me the hairlines I want in pointed pen work, so for that I much prefer iron gall or walnut ink". - Bob Hurford
I70. Moon Palace Sumi Ink Moon Palace Sumi
The Ink is now in a bottle with a Gold Label
While the packaging is a bit different, this is the highly sought after and highly recommended Japanese Sumi Ink. For both broad edge and pointed pen work. Dries waterproof. A great calligraphy ink.
"I like Moon Palace better, but both Moon Palace and Best Bottle are beautiful inks. The Moon Palace has a slight sheen to it, which I like. Michael suggested this ink to me so please tell him I said, "thank you". I just finished a job of 200 invitations with Moon Palace and the ink is beautiful. I did not dilute the ink.
A client just brought me invitations (slick paper) to address. This bride knew going into this that I probably couldn't do pointed pen. However, for fun, I tried the Sumi inks and to my surprise they worked pretty darn good. I usually have to use a sharpie on slick envelopes, yikes!!!" --Clair F., Jan 2011.
Four sizes available:
2.0 oz (widemouthed jar)
6.0 oz (180ml)
15 oz (450ml)
60 oz bulk bottle (1.8L) -- Great for teachers or buy and share the cost with a friend or two or three!
Formulated for the pointed pen, which is used for Spencerian, Copperplate, etc, not for the broad-edged pen used for Italic, Blackletter (Gothic), etc.
The black ink is an oak gall ink which was developed with the help of leading penmen of today to provide an ink similar to that used during America’s golden age of Ornamental Penmanship in the 19th and 20th centuries. With a newly opened bottle, the black ink writes brown but turns a dense black. Good for fine hairlines.
(Colors and whites are not oak gall inks. They are made with natural pigments).
Choose from Ivory, White, Indigo Blue, Green, Brown, Red, Red-Violet, Black, Glossy Black. Prices of colors vary.
This popular Japanese sumi ink is good both for beginners and for professional work. Smooth, rich black. Hard to find. One of the popular sumi inks for calligraphy. 6.75 oz, 200 ml bottle.
"The Best Bottle Sumi Ink truly is the best bottle. You can write three to four times longer with a pointed pen nib before the ink dries between the tines enough to alter the writing (this compared to Moon Palace)." C. M.
My test for any ink is to see if it will produce sharp thick and thin strokes at less than one sixteenth inch body height with a #6 Mitchell nib. Stick ink passes that test while most bottled inks don't, especially waterproof inks including sumi ones. The brown bottle sumi [Best Bottle] is non-waterproof, and I find it is better than others. –S.W.
I152. Dr. Martin's Black Star Hi-Carb India Ink I152. Dr. Martin's Black Star Hi-Carb India Ink
Dr. Ph. Martin's Black Star India Inks are lightfast, permanent, and waterproof when dry. Hi-Carb is a gloss-finish ink with an extremely high carbon content. It produces excellent results when used with technical pens or calligraphy dip pens. Also good for works on paper, illustration board, and canvas. While extremely opaque, this ink contains no varnish or shellac. Comes in a 1.0 oz (30 ml) bottle with dropper.
I116. Old World Oak Gall Ink An oak gall ink made with period recipes and materials including oak galls, iron salts, logwood dyes and acacia gum (Gum Arabic). Oak gall ink was used for many medieval manuscripts and is very popular today for Spencerian and Copperplate. For paper and vellum. Dries waterproof. 2 oz bottle.
This ink can be reconstituted using distilled water and letting it sit overnight. Then stir well and break up any solids.
Old World Ink Product Help: https://www.johnnealbooks.com/product_help#Oldworld
"It is really nice and darker than regular iron gall ink." - Nan DeLuca.
"This ink is terrific! Smooth off the pen, it is jet black with hairlines as fine as any penman could want." - Bob Hurford