Classes By Instructor
- Acorn Arts
- Amity Parks
- Andrea Wunderlich
- Andrew van der Merwe
- Anindita Biswas
- Ann Miller
- Anne Davnes
- Anthea Zacharatos
- Ashok (Ash) Giri
- Aspacia Kusulas
- Avinash Kharat
- Barbara Close
- Barry Morentz
- Beth Lee
- Brody Neuenschwander
- Calligraphy Crush Magazine
- Calligraphy Italia
- Carl Rohrs
- Carol DuBosch
- Carol Measures Scott
- Carrie Imai
- Cheryl Jacobsen
- Cheryl Tefft
- Chicago Calligraphy Collective
- Christen Allocco Turney
- Christopher Haanes
- Cora Pearl
- Cyrus Pang
- Debby Reelitz
- Deniz Oktem Bektas
- Eleanor Winters
- Elinor Holland
- Elizabeth McKee
- Elizabeth White-Pultz
- Elmo van Slingerland
- Evelyn Wong
- Ewan Clayton
- Flourish Festival
- Gabriela Soba
- Gemma Black
- Gillian (Jilly) Hazeldine
- Harvest Crittenden
- Heather Held
- Heather Martinez
- Helen Hiebert
- Hermineh Miller
- Imaginarium Art Studio
- Jacqueline Sullivan
- Janet Murata
- John Stevens
- Josie Brown
- Joy Deneen
- JP Panter
- Judy Detrick
- Julie Wildman
- Kalo Chu
- Kare Daughtry
- Karen Nordstrom Roberts
- Kathy Milici
- Katie Keller
- Lavina Jhangiani
- LearnCalligraphy.com
- Let's Letter Together
- Linda Lanza
- Lindsey Hook
- Logos Calligraphy
- Lubna Zahid
- Margaret Morgan
- Marie Fredriksson
- Marina Soria
- Martha Laurens
- Maryanne Grebenstein
- Matt Wright
- Maxie Pena
- Mike Gold
- Mike Kecseg
- Nina Tran
- Pat Blair
- Paul Antonio
- Rachel Yallop
- Randall M Hasson
- Reggie Ezell
- Riccardo Ali
- Rick Paulus
- Risa Gettler
- Riva Brown
- Sachin Shah
- Safe Haven Arts
- Sally Penley
- Sharon Zeugin
- Shas Baker
- Sherrie Lovler
- Sue Greenseth
- Suzanne Cunningham
- Suzie Beringer
- Telisa Roessein
- The Calligraphy Summit
- The Gentle Penman
- Various Teachers
- Viktor Kams
- Violet Smythe
- Vivian Mungall
- Yukimi Annand
- Yves Leterme
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Eleanor Winters - Advanced Copperplate Spring School - Part 2: Texture - Feb 25 & 26, 2026
Copperplate calligraphy can be as effective a choice for creating textured writing as the more traditional scripts such as Textura and other Gothic alphabets. Using Copperplate, we will create...Qty in Cart: 0Quantity:Price:Subtotal: -
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Bill Kemp - Weaver Writing Style - Feb 21 & 28, 2026
This script was developed by the late Gwen Weaver (1950 – 2013).  Gwen loved the pointed pen and just wanted other scripts to be associated with the pointed pen.  One of the reasons why she developed...Qty in Cart: 0Quantity:Price:Subtotal: -
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Sachin Shah - Uncial: Broad Edge and Pointed Pen - Feb 16, 19, 23, 2026
Journey back in time to discover the elegant Uncial script, a rounded majuscule hand that shaped early manuscripts and became the dominant book hand from the 4th to 8th centuries. You'll learn its...Qty in Cart: 0Quantity:Price:Subtotal: -
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Jasmin Ryan - Personalised Stationery, hand-painted in watercolour - Feb 13, 20 & 27, 2026
Learn how to paint in watercolour and then to digitise your artwork to create your very own stationery. The elements we will paint in class will be focusing on summer florals, fruit as well bugs and...Qty in Cart: 0Quantity:Price:Subtotal: -
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Johannes Parisurteil - Blackletter: From Strokes to Words - Feb 13, 27; Mar 6, 2026
In this workshop, you’ll dive into the bold, structured, yet elegant and powerful world of blackletter calligraphy. We’ll start with the basic strokes, move on to letters, and finally build up to...Qty in Cart: 0Quantity:Price:Subtotal: -
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Vivian Mungall - Retouched Old English - Feb 7, 14, 21, 2026
Ruled (or Retouched) Old English was one of the most widely used lettering styles in the United States, especially favored by professional engrossers—calligraphers who specialized in creating...Qty in Cart: 0Quantity:Price:Subtotal: -
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Chiara Riva - Brush pen: beyond basics - Feb 7, 14; Mar 7, 2026
Take your brush pen skills to the next level! We'll go beyond the fundamentals, exploring the nuances of letter rhythm, texture, and creative variations. You'll explore advanced techniques, including...Qty in Cart: 0Quantity:Price:Subtotal: -
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Benoit Furet - From A to Z: Initials and filigrees from the 12th century - Feb 7 & 14, 2026
The initials of the late Romanesque period have very free forms, much more than in more recent periods. Their color palette is also very rich. Finally, it is at this time that the first filigrees...Qty in Cart: 0Quantity:Price:Subtotal: -
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