These nibs from Japan are hand cut, extremely smooth, and long-lasting. They are chrome plated and have a medium flex. Great for Spencerian. Smooth writing with no burrs or scratchiness. Highly recommended by Michael Sull.
A popular nib for Copperplate. Good flexibility - not too stiff, not too flexible. Very thin hairlines and good swells. Works for scripts 3/16-1/16". Sharp point but will work on slightly textured surfaces. Tends to catch on upstrokes.
N120. Leonardt Principal EF Nib N120.EF Principal Nib
You can now purchase a modern nib that is equal to the best of the vintage nibs. Brian Walker, a respected pointed pen enthusiast, has worked with a pen manufacturer to duplicate the quality and performance of the legendary Gillott No 1 Principality. The new nib has received rave reviews for both Copperplate and Spencerian. It’s flexible and responsive and gives fine hairlines, but is smooth-writing and catches the paper less.
A very popular and versatile nib for Copperplate and Modern Calligraphy. It is very flexible and can provide great contrast between thin and thick strokes. Moderate pressure will produce swells, and by pressing harder, bold strokes are possible. With its fine hairlines, the nib works for very small writing, to a 1/8-inch x-height. This nib is of consistent manufacture (defective nibs are rare). It tends to catch less on upstrokes than other extra-fine pointed nibs, making it more suitable for papers with some texture. This nib is well-suited for intermediate and advanced calligraphers, but it is not recommended for beginners. Because of its shape, it is also called Arrow Nib.
Linda Schneider’s favorite pointed nib is the Brause 66EF. It is the one she uses most often; she says it is "tiny, but mighty." She notes how it writes longer on one dip than most larger nibs (it may be small, but it holds a lot of ink) and that its flexibility allows for especially nice thicks. With the Brause 66EF she can get the "tiniest of hairlines and beautiful swells."
A very popular and dependable bronze-finish nib that is great for Copperplate, Spencerian, and other pointed-pen scripts. The Hunt 22 has good flexibility -- not too flexible, not too stiff and can produce very thin hairlines and good swells. The nib works for x-heights of 3/16"-1/16". It has a sharp point but will work on slightly textured surfaces, though it will have a tendency to catch on upstrokes on those papers. Compared to the Gillott 303, the Hunt 22 point is less sharp, and it has more stiffness, so more pressure will be required to create thick shades (swells).
Vintage Hunt 22 nibs (N93-V) are also available. When they were made, many decades ago, a higher quality of steel and craftmanship was employed in nib manufacture. They have similar characteristics, but are of a better quality.
A very steady and durable nib, the Hunt 101 is a great choice for projects that require larger writing with x-heights above 1/4". It can be used on most paper surfaces, though it can have a tendency to catch on the upstroke when used on a rougher surface. The Hunt 101 requires firm and deliberate pressure to open swells, while its strength and steadiness makes it an ideal selection for student practice. Bronze finish.
The Hiro #40 Nib (Blue Pumpkin) nib no longer has "Hiro" stamped on it; instead it is now stamped "Leonardt."
One of our most popular nibs for Copperplate. Large, durable nib appropriate for writing at x-heights of 3/16" to 1/8". Hairlines are fine and uniform, upstrokes smooth.
Sometimes called Leonard Steno or Manuscript Steno.
The quality of this nib matches the low price. For a higher-quality version of this nib, see N90. Brause Steno Nib.
The Brause Steno is also called Brause 361 or the Blue Pumpkin nib, from its rounded shape and blue color. It look likes and basically writes like the Hiro 40 (also called Blue Pumpkin), but the Brause Steno is stiffer, better made, and gives thinner hairlines and is more beginner friendly. Some calligraphers find it also holds more ink than Hiro 40 and that it works better with thicker inks like sumi and not as well with thinner inks like Pelikan 4001. The Brause Steno has moderate flex, and needs but a little pressure for shaded strokes. While suitable for Copperplate, it may be now used more often for Modern Calligraphy. Excluding the "G" pens, Brause Steno nibs last much longer than most other current pointed nibs.
This nib is in the JNB Pointed Nib Samplers (N154 & N117-1).
The Gillott 404 is a popular, sturdy nib. It is long-lasting, fairly stiff nib, and suitable for writing at x-heights from 3/16" to 1/4", on all surfaces from smooth to textured. It is a good choice for beginners (or those with a heavy hand.) Because they require more pressure to create the swells, stiffer nibs are easier to control. With thicker hairlines others, The Gillott 404 is a good choice for work for reproduction. The Gillott 404 is stiffer and less sharp than the Gillott 303 and Gillott 170.
Recommended by Eleanor Winters in her Mastering Copperplate Calligraphy (B1109) for beginners and professionals because they "provide fine line quality without being too fragile." Satisfactory for Spencerian Script.
Similar to the popular Nikko G Nib, but a little more flexible and sharper. It will produce a finer hairline than the Nikko. Same sturdy quality. If you are using the Nikko G but would like to be able to write with thinner hairlines and thicker strokes, give these nibs a try. Michael Sull still recommends the Nikko G nib as best for learning Spencerian, but this Zebra G Nib is a good one, too, for Spencerian.
Just wanted to let you know about my experience with the ZEBRA G nibs: Santa was very generous to me this year and I got a dozen. I pulled the nibs out to play with this weekend and I have found my new love. I used the nib with Walnut Ink and the hairlines, so thin, so smooth, with a light touch and the nib skated effortlessly across the page. I really enjoyed working with this nib. If you haven't had the chance to try this nib out yet, it's worth the couple of bucks. I haven't tried any of my other inks, but I will be doing that this week. So far, I'm loving these nibs. Don't know if they are workhorses yet - I only had them a few days. - Ilovepenmanship
I love them too. The nibs are great with the iron gall inks because the ink does not eat the nib as fast. Great hairlines and just enough flex for shades. Much thanks to John Neal for these!!! - Nan DeLuca